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Posts Tagged ‘Tetsu’

[live report] L’Arc-en-Ciel Makes “XXX”

Monday, September 19th, 2011 by Sarah

Being an enormously popular band has its perks. For one, you can afford the massive screens, pyrotechnics, and an 18-piece string ensemble necessary for your epic cinematic live performances. For another, you may be able to single-handedly take back a sequence of letters that is synonymous with the porn industry.

While I don’t think the latter is exactly their goal, L’Arc-en-Ciel is back with their 20th L’Anniversary Tour and new single “XXX” (pronounced “kiss kiss kiss” for those of you who want to keep at least one foot out of the gutter). The band brought their fans a visually and orally (tee hee) stimulating experience on September 11, 2011 in Saitama. Sure the set list had a deja-vu moment or two from their L’Anniversary shows in May, but let’s consider this the preview for their world tour coming up in 2012.

The differences in this performance were slight, but subtly profound in their execution. Hyde’s a capella voice opened the show, clear and simple as he sang the first verse of “Farewell.” Then the backlights went up to reveal a string ensemble sitting on what looked like a former set from Clash of the Titans. They stayed on stage for the next few songs, even in numbers that didn’t feature live strings in the recorded versions. Probably more than any other type instrument, the strings have the uncanny ability to cause the audience to change emotions on a dime. The melody for “My Heart Draws a Dream” is effective on its own, but add the live violin family and you have a tear-jerker on your hands. Though the electric instruments drowned them out slightly for much of their performance, the former orchestra geek in me still tingled with excitement.

Another sonically stimulating aspect for the fans who have seen L’Arc-en-Ciel more times than they’ve seen their own parents were the minute changes in instrumentations of certain songs. You can’t blame guitarist ken for wanting to change up the riffs in “STAY AWAY,”which the band, by my count, has played half a billion times live.

But when a band like L’Arc-en-Ciel plays in a huge stadium like Saitama Super Arena, sound can’t be the only thing that carries the show. Projected behind the band on a massive screen were some of the most vibrant effects this side of the Wachowski Brothers. They ranged from a Technicolor portal, reminiscent of Doctor Who’s opening sequence, to a somber digital forest punctuated by red lightning, to a speedometer revving up to an ungodly speed that only a Vin Diesel blockbuster could portray. The entire experience was cinematic yet artsy at the same time, almost like a high-definition indie film with a killer score.

And that brings us to the skin flick that is “XXX.” The song itself is sharp and edgy, much like some of L’Arc-en-Ciel’s work from the earlier half of the last decade. The video displayed while they performed the song live was sharp and, well let’s just say, boney. Deep in a lounge version of the Garden of Eden, L’Arc-en-Ciel is lost in a forest of lanky model limbs. The girls writhe with anticipation or perhaps hunger, seductively glaring into the camera while passing around a golden apple. A yellow snake slithers onto the scene to grace a few flat-bottoms. The whole experience felt like a skinemax movie you’d accidentally flip to with your parents in the room, making you feel dirty and ashamed.

But it’s good to titillate fans every once in a while, especially when a band does it in more ways than one. Expecting L’Arc-en-Ciel to deliver in the music department is a no-brainer, but when there are a few audio-visual perks, their shows become exceptional. These are the aspects that will translate best to overseas audiences who may not understand Japanese and only know L’Arc-en-Ciel as that one band that’s done a ton of anime songs. Let’s just hope no one expects to see some real XXX.

Official L’arc-en-Ciel website – http://www.larc-en-ciel.com/
L’arc-en-Ciel World Tour mailing list – http://www.larc-en-ciel.com/en/information/20th/

photo credit: KAZUKO TANAKA, HIDEAKI IMAMOTO, TOSHIKAZU OGRUMA

[live report] Ra:IN – FLYING CAT presents SUPER ROCK BOMB ~Hard & Soul~

Thursday, April 22nd, 2010 by Sarah

Guitarist. Check.

Bassist. Of course.

Drummer. Absolutely necessary.

Keyboards and synth. Why the hell not?

Vocalist. None. And super group Ra:IN doesn’t need one.

Springing from the ashes of bands that arguably made Japanese rock in the ‘80’s and early ‘90’s, Ra:IN brings forth a unique creature that modern J-rock enthusiasts may find otherworldly. Names like PATA (X Japan) and D.I.E. (hide with Spread Beaver) might ring some bells in the heads of visual kei fans across the board as the musicians who inspired acts like Dir en grey and the GazettE. More far-reaching metal fans might recognize the names of bassist michiaki (TENSAW) and drummer TETSU.

But Ra:IN’s sound hearkens back even further to the days of rock operas, eight minute solos, and a whole lot of polyester. It was a time when a band could not only do without a vocal melody, but could also get away from the typical verse-verse-chorus-verse-chorus that supersaturate just about every pop and rock song released today, good and bad. Most of us (including myself) might be so brainwashed into thinking we’re dependent on the pop-rock formula that we find any disruption in the structure odd or even offensive. And admittedly, I was hesitant.

Bands like Ra:IN need to be seen to be believed when it comes to fully appreciating the breach of our comfort zones. And nothing gives this kind of music a more authentic feel than seeing it up close and personal in the sanctity of a live house.

Ra:IN was one of three legendary acts at Shibuya O-EAST in Tokyo March 27 for FLYING CAT presents SUPER ROCK BOMB ~Hard & Soul~. Along with the Spinal Tap of Japan (Spinal Tap in a good way), SEX MACHINEGUNS, and the band that is hailed as one of the most influential acts of Japanese metal, BOW WOW, Ra:IN was in superb company. After a phenomenally hilarious yet skillful set by SEX MACHINEGUNS in which vocalist and guitarist ANCHANG gushed over the bands that were about to follow them, Ra:IN strolled on stage. Michiaki raised his beer can before strapping on his bass and taking his place in the middle of the stage. PATA came on almost unnoticed if it weren’t for his multi-colored, psychedelic suit. The setup was rather foreign to me, but when I saw several fans raise their drinks and one bold fan start to conduct the introduction music, I knew I was in for a good time.

Almost immediately, there was a sense that this would be different, even contrasting from the sets of their peers performing that night. Without lyrics to mold the audience’s emotions one way or the other, I worried about what would tell me how to feel. I was so used to lyrics bemoaning the ills of the world or describing a beautiful love lost but never forgotten. Was I supposed to rely on my own imagination and feelings based on instrumentals to construct a story like Prokofiev’s Peter and the Wolf or the cult classic Heavy Metal?

Involuntarily, I did. And the story turned out to be quite metal.

With a menacing wail of the guitar, a heavy metal dragon woke from its slumber to the song “Circle”. Wrought with dreams of destroying man, it broke free from its iron cage, stomping to the rhythm of the bass. The villagers tried to distract the dragon, sending angry wasps conducted by PATA’s precise and impossible guitar solo in “Thrillin’ High”. The villagers cried with D.I.E.’s shrieking synth, but all to no avail. When all hope was lost, a chivalrous knight appeared, bringing light as “Within You” played from the heavens. The battle was long and arduous, but the heavy metal dragon was soon dead. And as the battle-weary soldier dragged his ax into the sunset, the villagers rejoiced to “Bombay Boogie”.

Ok, so I’m no Tolkien. But the whole set was operatic, inciting nothing short of the classic story of good triumphing over evil superimposed on a heavy amount of head banging.

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Official Site: http://www.rain-web.com/

[press release] Ra:IN Tours the Americas

Tuesday, February 2nd, 2010 by Kathy Chee

IMG_0785Ra:IN has its roots in British rock, but their cutting-edge music with heavy grooves has obtained many fans in Japan, Asia (Taiwan, China) and Europe. Ra:IN now has its sights set on the Americas with a 5 stop tour.

2010/2/28 (Sun): ” Fiesta Latina” San Jose/ COSTA RICA

2010/3/03 (Wed): “LANOCHE” Lima/ PERU   http://www.lanoche.com.pe

2010/3/05 (Fri): “TEATRO NORMANDIE” Santiago,CHILE

2010/3/06 (Sat): ” Inferno club” San Poulo/BRAZIL   http://www.infernoclub.com.br/

2010/3/10 (Wed): ” The Viper Room ” L.A.   http://www.viperroom.com/

Ra:IN Members
PATA (Guitar: X-Japan)
michiaki (Bass: TENSAW)
Tetsu (Drums: Red Warriors)
DIE (Keyboard: hide with Spread Beaver)

Ra:IN Official Website – http://www.rain-web.com/index-p.html
Ra:IN Official Myspace – http://www.myspace.com/rainwebspace

[live report] JACK IN THE BOX 2009 SUMMER

Thursday, September 10th, 2009 by Sarah

jackbox_06My feet are bleeding. My forehead is dripping with sweat. My ears are buzzing. My right palm may have permanent fingernail marks in it. The human body is simply not conditioned for this kind of physical strain. But oh, sweet reader, after you find out where I was for nine straight hours, you will realize that these pains are a small price to pay for a marathon of greatness.

On a balmy August 15 in Chiba, just outside of Tokyo, thousands upon thousands of rock, visual kei, and music fans gathered. It was time for JACK IN THE BOX 2009 SUMMER at Makuhari Messe. The expansive convention center with its semi-open air, standing only concert arena was an odd choice to house one of J-rock’s peak live events. Hosted by MAVERICK DC, this was no ordinary rock concert. It was a pilgrimage.

In the Beginning…

Jack, as its known to many fans, hosts some of the biggest names on MAVERICK DC’s roster and perhaps in the J-rock world altogether. This year brought in fifteen different acts ranging from the up-and-coming to the comeback, the fledgling artists to the hall-of-famers. But there were no headliners, no opening acts, and no one overlooked. All bands received equal time to show us their all.

After trekking from the train station, my skin and eyes burned by the unusually bright sun, I arrived at the miniature city that is Makuhari Messe. Upon stepping inside, you feel like you’re entering some sort of place of worship. The sudden rush of cool air is soothing but brief, as masses of fans frantically rushed around the convention-type area. This area housed the merchandise booths, which had a line so long and so compact I couldn’t even venture past the end of it. There are also some miscellaneous booths like Tower Records, a quick nail salon, and a small karaoke stage that went on throughout the concert. At one side sat an empty signing booth, which would later be the place of frantic peering as some of the artists signed autographs for the first fifty people who bought their CDs.

While this was all impressive, the other side of the partition was the subject of real excitement. Once I entered the area I squinted at the stage in the distance. There were two jumbo screens on either side, which meant everyone could technically see, though not necessarily in real time. The curtain was down and there was nothing of interest that my poor eyesight could scout, but I immediately noted how the floor was easily half filled with people. It was forty-five minutes before showtime and fans weren’t wasting their precious minutes lollygagging around the karaoke stage. The entire audience was to stand on one level, blocked off into four sections with a catwalk extending from the stage in the middle and a perpendicular walkway halfway back. The blocks themselves were huge and there were no restrictions on entering or exiting them. Stand as you please, but once you left your spot it would be gone.

There was no way I could compete for the front spot, especially not for fifteen bands in a row, so I settled on standing in the middle in front of the catwalk. Even standing on my own for most of the concert, the air was thick, humid and hot. They had the air conditioner blowing, but the open sides that led to the outdoor food stands pushed the hot sun’s wrath into the crowded area. I predicted madness. Fainting. Dehydration. Suffocation. Vomiting. And I wanted to see the security staff cart these people away.

Once the lights fell, I knew those sacrifices were necessary for the imminent fun of all. (more…)

[press release] The Return of Dead End

Thursday, August 13th, 2009 by Sarah

20 years later, the calm after the storm shakes us with Dead End’s return in 2009.

Dead End (courtesy of Maverick DC)

Dead End (courtesy of Threshgold Management)

Dead End’s performance influenced many musicians and facinated listeners alike.  The band set a standard of technical excellence and left behind a new attitude and aesthetics for Japanese rock music.  A leader in the visual kei movement, Dead End returns and with its combustion, shakes and leads us somewhere unknown.

August 15, 2009
Live at Makuhari Messe for Jack in the Box Summer 2009

Other artists performing at Jack in the Box Summer 2009 are acid android, Girugamesh, Ken, Mucc, Sid, Tetsu, VAMPS, Zolo, 44MAGNUM, BREAKERZ, cali=gari, Kinnikushoujotai, Kiyoharu, and Maverick DC Super All Stars.

http://www.jack-itb.com/

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