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Posts Tagged ‘Sarah Dworken’

[interview] D’espairsRay – Some Kind of Human-Clad Monster

Tuesday, July 20th, 2010 by Sarah

It’s been two years since D’espairsRay’s last appearance in North America, and they’re back with a fresh outlook and a sound that leans more towards the dance-beat side of music. But don’t worry; they’re still the dark visual kei band overseas fans have grown to love. Just before the release of their new album, MONSTERS, on July 28 and the start of their North American tour in August, the band gave purple SKY the lo-down on what it means to be the monster that is D’espairsRay.

pSKY: You’ve been together as a band for over ten years now. What do you attribute that longevity to?

HIZUMI: Is it usual to have member changes in the US? Japanese bands don’t really seem to change as much. I don’t think Japanese bands change it up that much anyway.

pSKY: You’re about to embark on your next US tour. Your first experience overseas was kind of unusual for Japanese bands, especially visual bands. Instead of playing anime conventions, you played at small live houses. Why did you decide to do smaller venues instead of a big convention that might attract many people?

Karyu: A convention has a lot of people for sure, but it’s mostly for people who just like Japanese culture. It doesn’t feel like rock music. We figured if we played with other rock bands, we’d attract a rock audience instead, and maybe get some new fans that wouldn’t have found us otherwise.

pSKY: Actually, it seems like the fans have a lot of respect for you guys for playing at sort of “real” rock venues.

All: Thanks!

(more…)

[interview] MIYAVI – Samurai Guitarist and CEO part 1

Tuesday, June 1st, 2010 by Sarah

MIYAVI is a samurai guitarist, conquering the world for Japan with the only weapon he knows how to use: his guitar. But this visual kei idol turned CEO of a management company hasn’t always been his own feudal lord. Starting out in the short-lived band Due le Quartz, MIYAVI had to go through being just another struggling guitarist to a guitar ronin before he could set his sights on ruling Japan and lands overseas.

Before he launches his North American Circuit tour, MIYAVI made some time for an in-depth chat with purple SKY about the beginnings, music, business, and future of this fierce musical warrior.

pSKY: You just got back from Kyoto, right?

MIYAVI: Yeah yeah.

pSKY: You’re in the middle of your Japan tour. So how is that going so far?

MIYAVI: Everything’s going well.  It’s been a while since I had a Japan tour like this. And actually, I’m feeling kind of different from the usual tour. I think in part because the environment and I have changed.  You know, I just made my company and became independent. I have my family now. I have a daughter. So it feels kind of different from before when I had my usual tour. During this tour, I have a new style: only a drummer, keyboard player, and me on stage. So it feels brand new.

pSKY: Before you used to do all-out rock. The whole thing with rhythm guitar, lead guitar, bass, drums. A very traditional set. So why did you decide to take all of that away and do something new?

MIYAVI: It’s not that I just took it away. I’m just trying to be an original artist. This is one of the options. One of…

pSKY: One of many options?

MIYAVI: Not so many, but I tried to make an original style with beat boxers, Kavki Boiz. It was a good tour, but after that I realized that I should have made a more original style as a guitarist. So now there are only drums and keyboard. And mainly I only play with drums. Two players. Including me there are just two people on stage. So everything is going well. Even the audience in Japan. In my opinion Japanese fans are kind of quiet, quieter than fans overseas. But on this tour they’re so enthusiastic, because I’ve been playing some old songs with a new style.

pSKY: Do you think with your new style you’re gaining a different kind of fan? Maybe some artsy people or people who like that independent style? Maybe before you had those visual kei kinds of fans…

MIYAVI: I’m still visual kei.

(more…)

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