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[press release] Traditional Japanese Musicians The Yoshida Brothers to Perform at Otakon

Thursday, February 11th, 2010 by Kathy Chee

yb08Baltimore, MD (February 3, 2010) – Award-winning global sensations the Yoshida Brothers, whose music builds on traditional Japanese music, will be guests at Otakon 2010. They will perform on Friday night (exact time to be announced later), as well as signing autographs and participating on a panel.

“We’ve been trying to enhance our cultural content over the last few years,” said Jim Vowles, Otakon Guest, Industry, and Press Relations Chief. “It supports our broader educational mission, of course, but the response from our membership has been great. Since we’re kind of well known for musical acts, we’ve wanted to bring in a traditional music act for some time. We actually approached the Yoshida Brothers two years ago, but this is the first time their schedule and ours have meshed well enough to bring them. We’re very excited.”

The Yoshida Brothers were born in Noboribetsu, Hokkaido. Each picked up the shamisen at the tender age of 5, and began studying Tsugaru shamisen under Takashi Sasaki I in 1990. After sweeping prizes at national Tsugaru shamisen conventions, the brothers made their major debut in 1999. The debut album sold over 100,000 copies, an extraordinary figure for a traditional folk music release. This album was selected “Traditional Japanese Music Album Of The Year” in the 15th annual Japan Gold Disc Awards, as well as the “30th Anniversary Of Normalization Of Japan-China Diplomatic Relations Commemorative Special Prize.” In 2002, the brothers followed their success with their first national tour, “Live Soul.” performing in 30 cities. The following year, they made their U.S. debut with Yoshida Brothers from Domo Records and performed in New York and Los Angeles. An international release followed in Korea in 2004, where they performed their first concert in Seoul, in addition to a domestic tour that included 28 cities. In the meantime, they released their second U.S. album, Yoshida Brothers II, and went on a U.S. promotional tour, visiting seven cities. It was a year of significant breakthrough, through their participation in other various projects such as an international exchange event in Sweden and a TV commercial in Japan. In 2005, the brothers recorded an album in Los Angeles, followed by a West Coast tour and a concert in Hawaii. In 2006, they toured the U.S., Spain, and Hong Kong. In Hong Kong they released their very first greatest hits album and marked favorable sales. Domestically, they launched a shamisen-only national tour. And in 2007, their music created buzz in the U.S. as their music was used in the TV commercial for Nintendo’s Wii. At the end of that year, the brothers recorded another much-anticipated album in the U.S., which is yet to be released.

Vowles said, “While most of our membership will know the shamisen music from those Nintendo Wii commercials, the Yoshida Brothers are one of Japan’s best exports — internationally acclaimed and respected for their skills, and crossing genres to work with some of the hottest acts around. They bring a traditional Japanese sound, but infuse it with a very modern energy.” In 2008, they released Best of Yoshida Brothers and toured in U.S. and Canada. They followed that in 2009 with Prism, for which the brothers collaborated with notable talents, including an inspired cover of “The National Anthem” from Radiohead’s Kid A. As one of the artistic groups whose scope of activities go way beyond traditional Japanese music, the Yoshida Brothers continue to make not only Japan but also U.S., Europe, and Asia their stage. “We had an incredibly enthusiastic response to Eminence in 2007, which featured a string section playing anime and video game music,” Vowles said. “And last year, we had Kanon Wakeshima playing a cello to a packed house. We want to keep showcasing some great music and top-notch performances, and with this year our visual theme is all about music, so it seemed the right time to push the bar — and we know our members are willing to look beyond the J-Rock and Visual Kei spectrum.”

Official home page: http://www.domo.com/yoshidabrothers/
MySpace: http://www.myspace.com/yoshidabrothers1
Otakon 2010 will be held July 30 – August 1 at the Baltimore Convention Center in Baltimore, Maryland.

[live report + interview] abingdon boys school

Sunday, November 1st, 2009 by Sarah

abs_02It’s an utter cliché that has been said millions of times to cheaply describe millions of things. In this case it is completely appropriate. So fasten your seat-belts, ’cause abingdon boys school is going to take you for a wild ride. Born out of the talent from some of Japan’s most skilled musicians, abingdon boys school (a.b.s.) has taken the art of epic rock to a new level. The band first debuted in 2006, introduced to audiences in Japan and overseas alike through anime. But anyone who dismisses them as yet another anime theme song spewing, pre-fab band is sorely misinformed. Before heading off to Europe for their first overseas tour starting in November, the band put on a special event at Ebisu Liquidroom. On October 21 I was lucky enough to attend the third concert of the seven they were performing at the legendary venue. The room smelled like a high school boys locker room. Sweaty and overheated, the fans packed in to the moderately sized venue (with a possibly broken air conditioner). But they all seemed to forget the muggy smell of B.O. once the band took the stage. (more…)

[review] Yoshida Brothers: Prism

Tuesday, June 30th, 2009 by Victoria Goldenberg

prismIt’s easy to understand why the Yoshida Brothers (Yoshida Kyoudai in Japan) are internationally popular. They’re shamisen virtuosos imaginative enough to take on all kinds of music with their nostalgic-sounding folk instrument, even a Radiohead song. Thus, Yoshida Kenichi and Ryouichirou can appeal to several demographics: shamisen lovers, fans of daring music and newbies to traditional Japanese music looking for a My First Shamisen to ease them in. Their ninth album and another fine addition to their repertoire, Prism, is on sale in the U.S., in case you fit any of the above categories and don’t want to pay for imports while the yen-dollar conversion rate is so ridiculous. (Where’s the bailout for J-music fans?)

Prism opens with the aforementioned Radiohead cover, “The National Anthem.” The Brothers’ chaotic rendition substitutes shamisen for the guitar riff and distorted female vocals for Thom Yorke’s mourn. It’s a headbobbing-worthy blend of rock and folk and Eastern and Western.

In the strikingly beautiful “One Long River,” the Yoshida Brothers weave their shamisen around ethereal, wordless female singing. “Red Bird” tilts the East-West balance toward the former, with a drum and violin unobtrusively backing the Brothers while they play the wistful-sounding Japanese melody.

Other tracks like “Michi” and “Hujin” deliver straight-up shamisen playing. They’re good songs and transition points for people easing into traditional folk. But even as a fan of the traditional shamisen music, I find them less interesting than the Yoshida Brothers’ idiosyncratic, creative blends of genres. The duo does better breaking new ground for the shamisen than honoring its origins.

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