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Posts Tagged ‘Otakon’
[photo] Sixh @ Otakon 2011 Part 2
Monday, August 15th, 2011 by Kathy CheeThis is a WPSimpleViewerGallery
[photo] Baby, The Stars Shine Bright @ Otakon 2011
Wednesday, August 10th, 2011 by Kathy CheeThis is a WPSimpleViewerGallery
[photo] Ultimate Lolita Fashion Show @ Otakon 2011
Wednesday, August 3rd, 2011 by Kathy CheeThis is a WPSimpleViewerGallery
[photo] Sixh Fashion Show @ Otakon 2011 – Part 1
Tuesday, August 2nd, 2011 by Kathy CheeThis is a WPSimpleViewerGallery
[photo] Chemistry @ Otakon 2011
Monday, August 1st, 2011 by Kathy Chee
Set List
Go Alone
TOGETHER
merry-go-round
Wings of words
This Night
Life goes on
Shawty
Period
Independence
Keep your Love
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CHEMISTRY 101: Intro to Japanese R&B Science
Thursday, July 21st, 2011 by Sarah
R&B is a fickle genre. For the past few decades it’s been a chimera of all things popular music needs to be: technical skill, voice, good looks, attitude, and just plain luck.
Now the kings of Japanese R&B are about to show convention-goers at Otakon how they not only rule the charts, but bring their own flavor to this tricky style of music.
CHEMISTRY sat down with me in Tokyo for a conversation on the genre that exploded them to stardom.
pSKY: In English, the word ‘chemistry’ has two meanings: chemistry the science and some kind of relationship. Which one does it mean to you?
Kaname Kawabata: Chemistry the science. Our producer wanted it to be “a voice to voice chemical reaction.”
pSKY: Americans have a TV show called American Idol. Americans generally understand the audition process you went through with the TV show Asayan, but can you tell us a little about it? How was your audition different from the American Idol auditions?
Kaname Kawabata: There are a lot of seasons of American Idol, right? Our audition didn’t really have that time frame. One difference is that our audition only had male singers. First we had to sing solo. Then the audition changed to duo performances. The whole process took about a year. Our audition wasn’t like American Idol in the sense that everything was so exciting and quick. Rather, ours was like, “Let’s start the men’s audition!” and from there it gradually built up. It was a big audition for all of Japan.
pSKY: What do you think of American Idol?
Kaname Kawabata: Compared to us, the talent level is higher. It’s the American dream. Like Ruben Studdard, there’s no one else quite like him.
pSKY: Ruben Studdard isn’t really that famous nowadays. People who win American Idol aren’t necessarily guaranteed to become popular, you know? There are people like Kelly Clarkson, but then Jennifer Hudson, who didn’t even win, is more successful than those who did win.
[press release] CHEMISTRY & Synergy to Make U.S. Debut at Otakon 2011
Friday, April 15th, 2011 by Kathy Chee
Baltimore, MD (April 14, 2011) – CHEMISTRY, with an amazing six #1 albums on the Oricon National Charts, along with 4 person dance group Synergy are making their U.S. debut this summer at Otakon 2011 July 29-31 at the Baltimore Convention Center in Baltimore MD. Recent anime songs by CHEMISTRY include “Period” for Fullmetal Alchemist: Brotherhood and “merry-go-round” in the recent OVA of Mobile Suit Gundam Unicorn.
CHEMISTRY is a Japanese R&B duo, composed of, Yoshikuni Dōchin and Kaname Kawabata. After winning the Asayan audition in 2000 which was organized by Sony Music Entertainment Japan, they debuted in 2001 with three #1 singles (“Pieces of Dreams,” “Point of No Return,” and “You Go Your Way”) and a #1 album (The Way We Are).
In June 2002, CHEMISTRY participated in “Voices of KOREA/JAPAN,” a Korean/Japanese collaboration vocal unit that sang the official theme song of the 2002 FIFA World Cup. They co-recorded the first Korean/Japanese collaboration song entitled “Let’s Get Together Now.” The song, performed at the pre-opening festival of the World Cup held in Korea, was hailed as the first national broadcast of a Japanese language song in Korea since WWII. Their performance at the World Cup opening ceremony was broadcast in 160 countries worldwide. Not ones to rest on their laurels, CHEMISTRY went on to produce #1 album after #1 album. Hits include songs “Your Name Never Gone” and “Tōkage feat. John Legend.” In August 2010, CHEMISTRY recorded “a better tomorrow,” the world wide theme song for a Korean remake of the Hong Kong film “A Better Tomorrow” starring Song Seung- Heon.
The year saw the duo building on their successful career within Japan as well as highlights of increasing their presence in the rest of Asia including their endeavor to sing in Korean for the first time and in November, performing at the M-net Asian Music Awards held in Macao, receiving the Best Asian Male Artist award. Also in 2010, CHEMISTRY worked together with the 4-person dance group Synergy to release “Shawty.” Another joint work of the two groups was released November 3, 2010, titled “Keep Your Love.”
This March, CHEMISTRY released their best of album, “CHEMISTRY 2001-2011,” which commemorates their first decade together as a duo. To preview some music from CHEMISTRY, go to CHEMISTRY’s official site at:
http://www.chemistryclub.net
Official Otakon 2011 website – http://www.otakon.com/
[photo] h.Naoto Fashion Show @ Otakon 2010
Sunday, August 1st, 2010 by Kathy CheeThis is a WPSimpleViewerGallery
[press release] An Café Bassist and Video Game Producer kanon to Appear at Otakon 2010
Tuesday, June 29th, 2010 by Kathy CheeBassist kanon, one of the founders of the visual kei band An Cafe and currently a video game producer, will appear at Otakon. With a signature flamboyant style and Fender Jazz bass, kanon attracted a sizable fan base around the world as part of An Cafe. After a successful world tour and a big final show at Nippon Budokan in January, An Cafe went on hiatus.
Currently, kanon is producer for the recently released mobile phone game Pinky Distortion. Pinky Distortion features DIS;CODE, a visual kei band in search of a vocalist. The player takes the role of a young singer recruited as the band’s manager, who must find a way to keep the band together and lead them to their first successful live concert. The game emphasizes kanon’s belief that a group of passionate people can create something more amazing than any individual.
Kanon will participate in panels and autograph sessions during the weekend, and will be a guest DJ during the Otakurave, Otakon’s nightly dance party.
Otakon 2010 will be held July 30 – August 1 at the Baltimore Convention Center in Baltimore, Maryland.
[press release] Traditional Japanese Musicians The Yoshida Brothers to Perform at Otakon
Thursday, February 11th, 2010 by Kathy Chee
Baltimore, MD (February 3, 2010) – Award-winning global sensations the Yoshida Brothers, whose music builds on traditional Japanese music, will be guests at Otakon 2010. They will perform on Friday night (exact time to be announced later), as well as signing autographs and participating on a panel.
“We’ve been trying to enhance our cultural content over the last few years,” said Jim Vowles, Otakon Guest, Industry, and Press Relations Chief. “It supports our broader educational mission, of course, but the response from our membership has been great. Since we’re kind of well known for musical acts, we’ve wanted to bring in a traditional music act for some time. We actually approached the Yoshida Brothers two years ago, but this is the first time their schedule and ours have meshed well enough to bring them. We’re very excited.”
The Yoshida Brothers were born in Noboribetsu, Hokkaido. Each picked up the shamisen at the tender age of 5, and began studying Tsugaru shamisen under Takashi Sasaki I in 1990. After sweeping prizes at national Tsugaru shamisen conventions, the brothers made their major debut in 1999. The debut album sold over 100,000 copies, an extraordinary figure for a traditional folk music release. This album was selected “Traditional Japanese Music Album Of The Year” in the 15th annual Japan Gold Disc Awards, as well as the “30th Anniversary Of Normalization Of Japan-China Diplomatic Relations Commemorative Special Prize.” In 2002, the brothers followed their success with their first national tour, “Live Soul.” performing in 30 cities. The following year, they made their U.S. debut with Yoshida Brothers from Domo Records and performed in New York and Los Angeles. An international release followed in Korea in 2004, where they performed their first concert in Seoul, in addition to a domestic tour that included 28 cities. In the meantime, they released their second U.S. album, Yoshida Brothers II, and went on a U.S. promotional tour, visiting seven cities. It was a year of significant breakthrough, through their participation in other various projects such as an international exchange event in Sweden and a TV commercial in Japan. In 2005, the brothers recorded an album in Los Angeles, followed by a West Coast tour and a concert in Hawaii. In 2006, they toured the U.S., Spain, and Hong Kong. In Hong Kong they released their very first greatest hits album and marked favorable sales. Domestically, they launched a shamisen-only national tour. And in 2007, their music created buzz in the U.S. as their music was used in the TV commercial for Nintendo’s Wii. At the end of that year, the brothers recorded another much-anticipated album in the U.S., which is yet to be released.
Vowles said, “While most of our membership will know the shamisen music from those Nintendo Wii commercials, the Yoshida Brothers are one of Japan’s best exports — internationally acclaimed and respected for their skills, and crossing genres to work with some of the hottest acts around. They bring a traditional Japanese sound, but infuse it with a very modern energy.” In 2008, they released Best of Yoshida Brothers and toured in U.S. and Canada. They followed that in 2009 with Prism, for which the brothers collaborated with notable talents, including an inspired cover of “The National Anthem” from Radiohead’s Kid A. As one of the artistic groups whose scope of activities go way beyond traditional Japanese music, the Yoshida Brothers continue to make not only Japan but also U.S., Europe, and Asia their stage. “We had an incredibly enthusiastic response to Eminence in 2007, which featured a string section playing anime and video game music,” Vowles said. “And last year, we had Kanon Wakeshima playing a cello to a packed house. We want to keep showcasing some great music and top-notch performances, and with this year our visual theme is all about music, so it seemed the right time to push the bar — and we know our members are willing to look beyond the J-Rock and Visual Kei spectrum.”
Official home page: http://www.domo.com/yoshidabrothers/MySpace: http://www.myspace.com/yoshidabrothers1
Otakon 2010 will be held July 30 – August 1 at the Baltimore Convention Center in Baltimore, Maryland.