purple SKY - A Japanese Music Collaboraitve

Posts Tagged ‘New York City’

[review + interview] From Scientist to Songstress: In Mio Soul’s Skin

Thursday, November 17th, 2011 by Jen Wang

Tokyo-born songwriter Mio Soul makes her debut with In My Skin.  The EP contains the heavy drum beats and smooth melodies of contemporary R&B with flavors of pop, dance, and jazz.  Simple yet candid, the lyrics are in English, except for the rap in “Let’s Party” where Mio effortlessly flows in and out of her native language.  “Promise” chronicles Mio’s pursuit of her dreams in New York City and features sensual vocals complemented by airy piano trills.  The final track, “Out of My Life”, takes a complete 180 from the sweetness of “I Wish” in the beginning.  Mio engages an ex-lover in a showdown with passionate vocals and sexy Spanish guitars.  Even though she sings that her “story’s ended” for that person, it has only just begun in the music world.

I had the opportunity to ask my fellow biologist via email about her career change, the “I Wish” PV, and her involvement with music-related charities.

What made you change from being a biologist to a musician?

When it comes to biology, I had a huge influence from my father. My mom, however, is a pianist, so music was always around me as a child.  In college I was so curious about the connection of brain function and soul (heart)…I enjoyed all of the field work. I did, however, want to do music more than anything else.  I started performing more and attending singer and dancer showcases, and these live performances just really fueled me to continue pursuing music.

Science is a real academic thing.  You use instruments and theories to find the truth.  When it comes to music, singing or making beats is the art of using your own instrument (your body and soul) to express your truth.

Did you have any formal vocal training?

Yes, I had two amazing vocal coaches since moving to NYC: Stacey Penson and Jamelle Jones.  The best vocal training was…wait, should I mention this secret?  I can give a hint: it has to do with going to church on Sunday.

How did you overcome the challenges you faced when you moved to New York City?

All my determination has made me stronger and stronger I think.  I talk to God often.  I still have a lot to learn but I have kept going and now I have got some great people around me.  Meeting great people and being around people with good energy is so inspiring.

Why did you decide to rap in Japanese in “Let’s Party”?

I was planning to do something else during the song’s break down, but I started fooling around with actually rapping in Japanese…and it fit perfectly, in my opinion, so I just recorded it!

What did you want to convey through having female vampires in the “I Wish” PV?

I wanted to give people a totally different visual image for how “I Wish” sounds.   MeccaGodZilla helped me create the idea and write the script for something that just challenges the mind and what people normally would go with.   We were inspired by The Lost Boys, but we made this into a love story.

Do you have any favorite vampire stories or movies?

Oh yes!  I’ve watched Bram Stoker’s Dracula recently.  I also really like Queen of the Damned since I’m a huge fan of Aaliyah.

Your songs and your blog posts are very honest.  Are you ever afraid of revealing too much about yourself?

Thank you for noticing that.  I actually don’t mind doing it because it’s me, it’s my life, I don’t really have anything to hide.  As the title of my EP expresses, my songs are a part of me.  I just want people to have dreams and share good times as much as possible…just like me.

How did you get involved in the Domo Arigato Festival and Music 4 Orphans?

My friends from New York came up with the idea first because they toured Japan together a few months prior.  They really appreciate my country so they wanted to do something for Japan in return.  I wanted to assist them and be part of the show, and they let me help.

I joined the Music 4 Orphans project shortly after a business contact introduced me to the organizer of the project.  Music 4 Orphans helps to give the youth an opportunity to learn music education so I am really excited to assist them.

What’s next for Mio Soul?

This is just, just, just the beginning.  I am working on the next videos so those might be coming soon.  I will make more music, more videos, and I want to do more live performances…you know, visit way more cities and connect with people.  That’s very important to me and my focus at the moment.

Purple SKY, thank you so much for this.

Mio Soul’s official websitehttp://www.iammiosoul.com/

[interview] Jin Akanishi

Sunday, November 28th, 2010 by Victoria Goldenberg

What do you do when you’re a member of a phenomenally successful Japanese boyband? If you’re Jin Akanishi, you go solo and tour the United States.

For the past nine years, Akanishi was one-sixth of KAT-TUN, a relatively new song-and-dance group conceived and managed by the institutional idol agency Johnny & Associates, Inc., which has produced some of Japan’s perennial male entertainers, such as SMAP and Arashi. The boyband was so popular it sold out concerts years before officially debuting in 2006. Their singles, sometimes written by industry legends such as Takahiro Matsumoto and Kyosuke Himuro, hit the top of the Oricon charts and made KAT-TUN a household name. Akanishi himself, widely adored for his impeccable looks, was one of two lead singers and an occasional songwriter for the group.

Not long after KAT-TUN legitimately launched, Akanishi began to assert himself as a soloist. He went on hiatus from October 2006 until April 2007 to study English in Los Angeles; during this time, KAT-TUN released records without him. In 2009, he starred in the movie Bandage and sang its titular theme song. This year, he played solo shows in Japan and the United States and subsequently announced his departure from KAT-TUN in July. His first major venture as a solo Johnny’s singer was the Yellow Gold Tour 3010, a brief American outing from Nov. 7 to Nov. 21. (more…)

[press release] Zazen Boys & BOOM BOOM SATELLITES @ FETES Showcase NYC

Thursday, August 19th, 2010 by Kathy Chee

The New York Anime Festival is proud to reveal bands Boom Boom Satellites, Zazen Boys, and Echostream will come together with previously-announced musical guest Puffy AmiYumi at the Far East To East Showcase (FETES) on Sunday, October 10, 2010! Boom Boom Satellites, Zazen Boys, Echostream, and Puffy AmiYumi will all be appearing at NYAF for speaking sessions and autograph signings prior to their FETES show.

Presented in Irving Plaza (East 15th Street, New York, NY) for the first time, the Far East to East Showcase — created by our friends at Superglorious — is a one-night-only, once-in-a-lifetime lineup, built to create an evening of music appealing to anime fans, audiophiles, and casual New Yorkers interested in something new.

Tickets to FETES are separate from NYAF and NYCC admission and they can be purchased now at www.superglorious.com or www.livenation.com.

[press release] Ken Hirai to Play Two Shows at B.B. King Blues Club

Monday, June 21st, 2010 by Kathy Chee

15th Anniversary Special!! Vol.3 – Ken’s Bar N.Y.

Ken Hirai is a Japanese R&B and pop singer. His soulful voice and unconventional looks won him fans following his debut in 1992. Since his debut, Hirai has worked as a model, actor, composer, lyricist, singer, and spokesperson. During his career, Hirai has sold close to 14 million copies of his albums and singles. His Oricon achievements include a number one Yearly 2004 (for a single) and one number one Yearly 2006 (for an album).

August 25 and August 26, 2010
Doors 6pm, Show 8pm
* GA tickets: $125 – General Admission Seating – First come, first seated.
* Reserved VIP booth for 4: $600 – VIP Booth for 6: $900 *
* Standing Room Only tickets: $95 *

Event Details: BB King – August 25, 2010
Event Details: BB King – August 26, 2010
Hirai Ken Official Website – http://www.pinups.co.jp/hirai/

[press release] The Diva Review Presents A NEO TOKYO SAMURAI IN NEW YORK

Friday, June 18th, 2010 by Kathy Chee

The Diva Review Presents A NEO TOKYO SAMURAI IN NEW YORK: A CONVERSATION WITH MIYAVI Live Interview and Exclusive Performance – Saturday, June 26th, 2010

The Diva Review is pleased to announce that MIYAVI’s first public appearance in New York City will take place during a very special live interview on Saturday, June 26th, 2010 at Kinokuniya Bookstore.

A NEO TOKYO SAMURAI IN NEW YORK: A CONVERSATION WITH MIYAVI will be hosted and moderated by The Lady Miz Diva Vélez, creator of the pop culture showcase, TheDivaReview.com. Set before an exclusive gathering of fans, press and special guests, this event will culminate in an extraordinary one song acoustic performance by MIYAVI. 10 lucky fans from the audience will also have a chance to win a special raffle to personally meet MIYAVI and receive his autograph at the event.

Fans can win a limited number of free tickets to this event via sweepstakes on the The Diva Review website beginning June 9, 2010.

The Diva Review – http://www.thedivareview.com

[interview] MIYAVI – Samurai Guitarist and CEO part 1

Tuesday, June 1st, 2010 by Sarah

MIYAVI is a samurai guitarist, conquering the world for Japan with the only weapon he knows how to use: his guitar. But this visual kei idol turned CEO of a management company hasn’t always been his own feudal lord. Starting out in the short-lived band Due le Quartz, MIYAVI had to go through being just another struggling guitarist to a guitar ronin before he could set his sights on ruling Japan and lands overseas.

Before he launches his North American Circuit tour, MIYAVI made some time for an in-depth chat with purple SKY about the beginnings, music, business, and future of this fierce musical warrior.

pSKY: You just got back from Kyoto, right?

MIYAVI: Yeah yeah.

pSKY: You’re in the middle of your Japan tour. So how is that going so far?

MIYAVI: Everything’s going well.  It’s been a while since I had a Japan tour like this. And actually, I’m feeling kind of different from the usual tour. I think in part because the environment and I have changed.  You know, I just made my company and became independent. I have my family now. I have a daughter. So it feels kind of different from before when I had my usual tour. During this tour, I have a new style: only a drummer, keyboard player, and me on stage. So it feels brand new.

pSKY: Before you used to do all-out rock. The whole thing with rhythm guitar, lead guitar, bass, drums. A very traditional set. So why did you decide to take all of that away and do something new?

MIYAVI: It’s not that I just took it away. I’m just trying to be an original artist. This is one of the options. One of…

pSKY: One of many options?

MIYAVI: Not so many, but I tried to make an original style with beat boxers, Kavki Boiz. It was a good tour, but after that I realized that I should have made a more original style as a guitarist. So now there are only drums and keyboard. And mainly I only play with drums. Two players. Including me there are just two people on stage. So everything is going well. Even the audience in Japan. In my opinion Japanese fans are kind of quiet, quieter than fans overseas. But on this tour they’re so enthusiastic, because I’ve been playing some old songs with a new style.

pSKY: Do you think with your new style you’re gaining a different kind of fan? Maybe some artsy people or people who like that independent style? Maybe before you had those visual kei kinds of fans…

MIYAVI: I’m still visual kei.

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[interview] Chatmonchy

Thursday, April 15th, 2010 by Victoria Goldenberg

If I were the devil/I wouldn’t have made the world like this/We can’t count the time of our life/Because nobody knows how long we’ve got,”

Eriko Hashimoto sings plaintively on “Sekai ga Owaru Yoru ni.” It’s pretty heavy stuff for a top 10 hit, but that’s precisely why Chatmonchy is so popular. Like Yutaka Ozaki and Mr. Children, the three-piece band uses rock ‘n’ roll as a platform for expressing honest feelings and observations about life, and they don’t shy away from showing discontent. Despite the importance of lyrics to their music, Chatmonchy’s melodic and heartfelt music appeals to American J-rock fans, many of who were introduced to the girls by the song “Daidai” featured in the anime Bleach. Chatmonchy made their American debut on the 2010 Japan Nite tour, kicking off at South by Southwest and hitting New York City on Mar. 21 and 22.

Chatmonchy had fairly typical origins. Hashimoto formed the group in 2000, while she was still a high school student in Tokushima. The lineup changed a few times due to academic and other obligations but reached stability in 2004 with Hashimoto on lead vocals and guitar, Akiko Fukuoka on bass and Kumiko Takahashi on drums. The trio released an independent record and sold it themselves. A year later, they were signed to Ki/oon Records and released the album Chatmonchy Has Come, produced by Junji Ishiwatari of Supercar. By November 2006, they had their first top 10 hit single, Shangri-La. To date, they’ve released five major albums, including the B-side collection Expression from this March.

At the time of the interview, Chatmonchy was preparing for their New York shows. They spent their free time at SxSW checking out other bands, such as Takahashi’s favorite The XX. Fukuoka remarked that the festival was unlike anything in Japan, but Hashimoto found it too crowded. Takahashi had food on the brain, describing how she ate a hamburger in Texas and a bagel and donuts in New York.

Though they’d dreamed of performing in America as far back as two years ago, the girls didn’t try to make it a reality until after they’d completed a satisfying album, 2009’s Kokuhaku. Following a successful tour, the three decided to do whatever they wanted from that moment, and transformed their SxSW offer into a longer tour. “Regardless of the lyrics being in Japanese, we wanted to play in the U.S. without the boundary of lyrics,” Takahashi says. “We want to reach the audience here purely with our music.”
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[live report] Polysics at Blender Theater (The Gramercy), Feb. 13

Friday, February 26th, 2010 by Victoria Goldenberg

I had never seen Polysics live before Feb. 13 but had wanted to for years. I’d heard the hyper new wave-revival band was incredible in concert and wanted to see for myself before keyboardist Kayo quits in March. The hype was valid–Polysics’s show had all the raw energy and audience interaction that makes indie rock so fun.

For one, the band knew how to work a crowd. During songs, the entire band led the crowd in aerobics routines, waves and dances. They used props effectively, such as by inflating balloons and launching them into the theater, where they zoomed around until they ran out of air. Lead guitarist-singer Hiroyuki Hayashi asked the audience about their Valentine’s Day plans and prompted audience chants, keeping to his zany Polysics character by speaking in the shriek he uses in his music. He was still spontaneous and responded to audience shout-outs.

Chemistry was also key to Polysics’s live appeal. Though their matching, Devo-style outfits conveyed uniformity, the members each brought a distinctive personality to their performance. Hayashi was wild and relentlessly energetic, while bassist Fumi played a more traditional but still charming rock ‘n’ roll star. Drummer Masashi Yano and keyboardist Kayo anchored the other two’s energy with a contrasting coolness. Kayo, most strikingly, acted like a robot. Though the music she played was positively caffeinated, she kept her movements minimal and only occasionally turned to face the audience. She even managed to make a cheerleading routine with pom-poms stoic. Polysics played off their contrasting personalities, with Hayashi walking over to Kayo and shaking spastically while she played her solos.

Polysics’s music is made for live shows. Admittedly, it’s not something I can take in large doses on CD; the combination of nonsensical lyrics, high-pitched, wailing vocals, vocoder, manic guitars and electronic beeps is something I only want to hear for a few songs at a time. But it’s perfect for a rock show—visceral, ecstatic stuff that gets you moving and smiling.

It also helps that The Gramercy is one of the best rock venues in New York City. I was there for the first time and impressed with its quality acoustics and slanted floor that guaranteed a good view of the stage no matter where you stood. It’s such a simple but ingenious design that it’s a wonder more venues don’t incorporate it.

It’s hard to imagine what Polysics shows will be like without Kayo. She provides the calm among the chaos and the mechanical balance to Hayashi and Fumi’s human energy. At least, I’m glad I got to see the classic lineup live in its last New York show.

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[meta-jacked] Interview with Polysics at The Aquarian Weekly

Friday, February 12th, 2010 by Victoria Goldenberg

Check out Victoria’s interview with Polysics at The Aquarian Weekly, New Jersey’s oldest alt-weekly. The article is also available in print in the Feb. 10 issue, available for order here.

Polysics will play Blender Theater at The Gramercy in New York City 9 p.m. tomorrow. “Interview with Polysics: Each Era Each End” is one of the last interviews with Polysics conducted before Kayo leaves the group in March.

[live report] Dir en grey – TOUR09 All Visible Things in New York

Tuesday, December 15th, 2009 by Catherine Catanzaro

deg_08Say what you will about Dir en grey’s music, management, fans, or attitude: these five men put on an amazing rock show. Cathartic and revealing, their performances seethe and roil with a furious energy, and the three concerts they played this fall at New York’s Gramercy Theater were no exception.

Dir en grey has had twelve years to hone their craft, and the experience shows in their ability to manipulate the emotions of a crowd through music. Their latest album Uroboros is a carefully constructed collection of tracks that seem made for the stage, each one a roller-coaster ride of moshpit-inducing metal guitarwork and airy, melodic choruses. Soaring vocal sections punctuate heavy riffing and guttural growling, letting you up for air just long enough to take a breath before being pulled back down by violent rock into the inky darkness at the heart of Dir en grey’s music. It’s always electrifying, never boring, and damn fun to hear these songs live.
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