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Posts Tagged ‘judy and mary’

[interview] ZAMZA

Monday, June 28th, 2010 by Sarah

ZAMZA may take its name from the existentialist novella Metamorphosis, but don’t let that lull you into thinking this band has any similarities to your stuffy modern lit teacher. Taking members from the legendary pop-rock band JUDY AND MARY and the equally influential ECHOES, ZAMZA has played their distinctly high-octane shows across Europe and North America.

On the verge of the release of their latest album, Tsukizoku (Tribe of the Moon), guitarist Hiroki, drummer KOHTA, and keyboardist Toshimichi Isoe found some time to sit down with purple SKY.

pSKY: First, I’m not quite sure about your name. I’ve seen it written ZAMZA and ZAMZA N’ BANSHEE, so what is the difference between the two?

Hiroki: When we perform overseas, if we use the posthumous name ZAMZA N’ BANSHEE, no one will recognize it by just looking at it. It was too long for when we went overseas. That’s why we write it as ZAMZA. (more…)

[interview] Chatmonchy

Thursday, April 15th, 2010 by Victoria Goldenberg

If I were the devil/I wouldn’t have made the world like this/We can’t count the time of our life/Because nobody knows how long we’ve got,”

Eriko Hashimoto sings plaintively on “Sekai ga Owaru Yoru ni.” It’s pretty heavy stuff for a top 10 hit, but that’s precisely why Chatmonchy is so popular. Like Yutaka Ozaki and Mr. Children, the three-piece band uses rock ‘n’ roll as a platform for expressing honest feelings and observations about life, and they don’t shy away from showing discontent. Despite the importance of lyrics to their music, Chatmonchy’s melodic and heartfelt music appeals to American J-rock fans, many of who were introduced to the girls by the song “Daidai” featured in the anime Bleach. Chatmonchy made their American debut on the 2010 Japan Nite tour, kicking off at South by Southwest and hitting New York City on Mar. 21 and 22.

Chatmonchy had fairly typical origins. Hashimoto formed the group in 2000, while she was still a high school student in Tokushima. The lineup changed a few times due to academic and other obligations but reached stability in 2004 with Hashimoto on lead vocals and guitar, Akiko Fukuoka on bass and Kumiko Takahashi on drums. The trio released an independent record and sold it themselves. A year later, they were signed to Ki/oon Records and released the album Chatmonchy Has Come, produced by Junji Ishiwatari of Supercar. By November 2006, they had their first top 10 hit single, Shangri-La. To date, they’ve released five major albums, including the B-side collection Expression from this March.

At the time of the interview, Chatmonchy was preparing for their New York shows. They spent their free time at SxSW checking out other bands, such as Takahashi’s favorite The XX. Fukuoka remarked that the festival was unlike anything in Japan, but Hashimoto found it too crowded. Takahashi had food on the brain, describing how she ate a hamburger in Texas and a bagel and donuts in New York.

Though they’d dreamed of performing in America as far back as two years ago, the girls didn’t try to make it a reality until after they’d completed a satisfying album, 2009’s Kokuhaku. Following a successful tour, the three decided to do whatever they wanted from that moment, and transformed their SxSW offer into a longer tour. “Regardless of the lyrics being in Japanese, we wanted to play in the U.S. without the boundary of lyrics,” Takahashi says. “We want to reach the audience here purely with our music.”
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[interview] Aiha Higurashi

Sunday, April 11th, 2010 by Victoria Goldenberg

Aiha Higurashi’s music always bears her unmistakable stamps. Both the experimental punk of her bands, Seagull Screaming Kiss Her Kiss Her and Loves, and the soft introspection of her solo records, are honest about life’s struggles, yet delivered with confidence and a middle finger. Higurashi has a knack for writing unpredictable song structures and incorporating a stunningly broad palette of influences into rock, such as yodeling, hip-hop, ambient, country and disco. And of course there’s her unmistakable guitar style–brash, tender and daring all at once.

Higurashi formed Seagull Screaming Kiss Her Kiss Her in 1992, taking its eye-catching name from an XTC song. The band was best known for its lineup of Higurashi, bassist Nao Koyama and drummer Takaharu Karashima from 1994 to 1999, although Higurashi and Koyama continued as a duo until 2002. The band became a cult favorite overseas, touring with Modest Mouse, Yo La Tengo and Mogwai and releasing a compilation CD in the UK. After SSKHKH broke up, Higurashi contributed songs to Judy and Mary singer Yuki’s budding solo career and then launching her own solo career with the single Fantasy in 2003. After recording two albums on her own, she formed the band Loves. in 2005, later changing the name to Aiha Higurashi and Loves! (Exclamation included.) Higurashi has released two albums with Loves and revived her solo career with the album Perfect Days last November. She is currently working on a new album for Ravolta, her hip-hop/new wave project with Tsutchie from Shakka Zombies.

That’s quite a busy schedule, but Higurashi was able to answer a few questions in English by e-mail.

pS: Your solo music’s usually softer than your band work. But even by those standards, Perfect Days is notably sparse and acoustic. Why did you choose this stripped-down approach?

A : Yes, that is very simple. I usually listen to Donovan , Elliot Smith, Rickie Lee Jones, Daniel Johnston, etc., so I wanted to do this simple sound even since I started Seagulls. I always put at least one acoustic song or quiet song in Seagull’s album, too. I just adore listening to those sounds so it is probably best time came to write and perform. That is because, my band is formed and Ravolta is doing great, so why not? Now I have enough space to let my mind open.

pS: You’ve said you formed Aiha Higurashi and Loves because you were tired of being solo after 2005’s Platonic. But then you released Perfect Days last year. What changed over those four years?

A: As I mentioned that Loves. is finally formed so tight as a band now. It took us so long to gather the right members and tighten up, get together and be a band that we wished which I wished.

pS: What was going on in your life when you were making the album?

A: I am a single mother of a lovely daughter so I do live usual everyday life. But I met a guy at the very beginning. He is the biggest reason why I could open my mind and let the brand new air into me. Then naturally the melodies came up into my head and heart. I fell in love.
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