purple SKY - A Japanese Music Collaboraitve

Posts Tagged ‘j-pop’

[review] Sun Burns Down – Jin Akanishi

Monday, January 23rd, 2012 by Kathy Chee

Jin Akanishi is hitting his stride with a fabulous new single, “Sun Burns Down.”  It’s upbeat techno-pop ala Kaskade, the lyrics hinting at some sexy time, but never wandering outside of radio-pop friendly.  The driving chorus, where Jin urges his listeners to “make love until the sun burns down,” is  fist-pumpingly catchy.  The simple beats and neatly layered mixing is a good counterpoint to Jin’s clean, emotional singing style.

Jin’s JAPONICANA tour starts March 9, 2012 in Los Angeles and we’re hoping for more dance-tune goodness from the former pop-idol.

Official Jin Akanishi USA website – http://jinakanishiusa.com/home/

[interview] Nenna Yvonne – More Than a Human Vocaloid

Friday, January 6th, 2012 by Sarah

Place all your My Little Ponies, Lisa Frank stationary, and Barbie shoes in a blender, add a dash of MikuHatsune the vocaloid, and puree. What do you get? Something only half as cute and colorful as Nenna Yvonne, the Nigerian-American singer-songwriter who came to Tokyo in October for an uber-trendy performance. Donning a wig that would make Marie Antoinette flush with jealousy, Nenna sat down with me after her brief but bouncy live. Just the typical girl talk: clothes, hair, and how it was impertinent to get up early on Saturday mornings for a dose of Sailor Moon when we were kids.

pSKY: How did you get into this kind of style of fashion and music?

Nenna Yvonne: Well, I grew up pretty much admiring a lot of anime cosplay artists. And I also kind of was into anime characters in general. Like Sailor Moon. I was watching that from when I was very little. So that was the thing to do after school and on weekends. My brother would sketch out the characters for me. He’s kind of a visual artist and I’m a musician, so it kind of runs in the family in a way. I took a lot of Japanese influence as far as music and culture and just fashion sense, and I combine it with kind of American, kind of urban style, just in the music side of it. For the image side of it, I wanted it to be completely kawaii. It’s the contrast that I’m looking for. I just kind of fell in love with it.

pSKY: A lot of people seem to want to do what you do. How did you make it in the industry?

Nenna Yvonne: I think making fashion your own, you kind of have to already have it in you. People always say that no one can take something that’s already yours. So if it’s something that you have naturally, it’s something that just comes out naturally. You don’t really have to force it or explain how to do it for you. So as an artist it kind of became an image and identity for me because it’s just natural.

pSKY: Have you gotten a chance to go around Tokyo at all?

Nenna Yvonne: We went to Harajuku, we went to Kiddy Land, we went to the shrine. We went to a couple different places, more like monumental places. A lot of it has been me just kind of getting adjusted to the time difference.

pSKY: What did you think of Kiddy Land?

Nenna Yvonne: Kiddy Land is like magic land. I thought they redid the place. I heard they kind of re-structured it from what it used to look like. A lot of celebrities like Michael Jackson used to go there and collect because there are a lot of collectibles and cosplay characters. I saw the Miku character. I’ve been following vocaloid music on YouTube of all places. Vocaloids are cool though because it’s like this anime character that’s just got so much energy and personality. It’s like, wow, is this human or is it a hologram, but it’s cool because it gives you kind of a visual representation of what you want to be yourself. So I took a lot out of that place.

pSKY: Do you make or design your own clothes?

Nenna Yvonne: Some of the pieces are actually mine. It’s a whole team of people in hair and makeup that came together. We visualized it and we said, “OK this is what we’re going to do.” I added my own kind of personal style and taste to it, and it just came to life!

pSKY: Is your hair heavy?

Nenna Yvonne: Not so much, but I can feel it when I tilt my head. Dancing on stage with it, it was a little scary!

pSKY: Who is your audience for your music?

Nenna Yvonne: It’s just about putting out music that I love, and hoping that people in general will just gravitate to it and take something away from it. A lot of people throw around the words “marketing” or “niche” or “what’s your fanbase?” But the world is your fanbase. Creativity starts from who you are and nobody can come in and say, “I’m going to market you this way.” The gimmick starts and stops, but the artistry never ends. It just keeps going.

pSKY: Who are your inspirations musically?

Nenna Yvonne: Musically, I pull from everything. I would even say anime characters inspire me. Conversations with friends and family inspire me. I write all my own music, so I really take inspiration from just about anything. Like I could be creating a piece for myself for a live show and just like, “Oh! I have a great idea for a song!” and just kind of note it on my cell phone or something. Then I go home and record the melodies and go back and kind of revise it a little bit, and then start structuring a full song. So I’ve been writing for a long time, but inspiration for me comes from characters as well as Janet Jackson, Cyndi Lauper, Michael Jackson, Grace Jones even.

pSKY: I saw that you’ve done modeling that’s not exactly the same style as your music persona.

Nenna Yvonne: My look and my fashion sense is so versatile, I really can just transform depending on the visual and just the direction of who I’m working with and who I’m collaborating with. I have a lot of photographers come up to me and say, “Hey, what do you think about dressing up in like a dominatrix crazy catsuit with heels up to here?” And I’m like, “Let’s do it!” I’m all about experimenting and having fun.

pSKY: What do your parents think of all this?

Nenna Yvonne: Right before I came on the plane to come here, my dad was the last person I spoke to and he was just so excited for me because he’s so professional and strict. My dad’s a diplomat, so he’s really stern and kind of like business-oriented. I grew up with a sense of political understanding, not just on a national level, but on an international level because we traveled a lot. So he kind of saw me doing this in the long run because he saw how much I love doing music from the time I was a little girl. He kind of saw it coming.

pSKY: Is he musical at all?

Nenna Yvonne: No, no one else in my family. I think the only person that’s into music that way is my uncle, but I’m the only one that’s pursuing it.

Official Nenna Yvonne website – http://nennayvonne.com/

[press release] SHOTA releases “You & I” at US iTunes Store

Friday, September 16th, 2011 by Kathy Chee

Japan’s singing sensation SHOTA (a.k.a. Shota Shimizu) is releasing his hit single “You & I”, a joyful up-tempo love song recorded in NYC last fall, at US iTunes Store on September 20th. It became a campaign song for Sony Walkman, and also being featured at FCI, the largest Japanese broadcaster’s theme song for US morning program, “The Morning Eye.“

After his Apollo debut in 2007 and the encore appearance the following year, SHOTA re-visited NYC in search of a brand new sound. He met and vibed with several accomplished piano players for an inspiration: Onaje Allan Gumbs, a seasoned Jazz/R&B pianist who has worked with such legends as Woody Show, Nat Adderly Cassandra Wilson, Betty Carter, etc.. welcomed SHOTA during his sound check at Joe’s Pub, the downtown hang-out for the music lovers. SHOTA and Onaje immediately clicked and jammed few songs. Shimrit Shoshan is a young and vibrant female jazz pianist originally from Israel, and has been in the New York jazz circuit for last ten years. Shimrit met SHOTA at uptown dance studio where they kept improvising over Donny Hathaway, and Marvin Gaye. Finally, Selan, the keyboard prodigy from Brooklyn who is also known as a musical director for Adele, and a supporting musician for Kelis, Kanye West, Rihanna and old school veterans like CHIC, Roy Ayers, Leon Ware and Roberta Flack, gave SHOTA an extra kick. They recorded “You & I” right after their first encounter and also performed at a special live concert in Tokyo titled “Live in the Dark.” The song was premiered at the pitch black auditorium where audience cannot see anything, but hear the acoustic live performance of the two: Selan’s blind touched piano and SHOTA’s crystal voice. The specially invited guest audiences were wowed by their performance, and SHOTA really shook them with his brand new sound. The rest was a story…

The song, “You & I” carries forward SHOTA’s pure and genuine sentiment, and grabs your innocent heart.

Available on iTunes U.S. (9/20/2011)

Click here for a preview!

Official Website – http://www.shimizushota.com/

[press release] ★STAR GUiTAR’s “PiECE” Available at US iTunes

Monday, August 15th, 2011 by Kathy Chee

★STAR GUiTAR’s smash hit single “PiECE” is finally available at US iTunes Store! This catchy pop-electro track is the title song for Leiji Matsumoto’s “Galaxy Express 999″ iPhone app and features all the main characters in 999 such as Tetsuro, Maetel and Captain Harlock in its full-length music video http://youtu.be/WegyOUficNY .

(for iTunes Store: http://itunes.apple.com/us/album/piece-single/id445739536) Go grab the song and look for more update from ★STAR GUiTAR’s international releases of on CoolJapanMusic!!

★STAR GUiTAR is a solo project by SiZk, a producer/arranger/remixer known for the works with many major J-POP stars such as BENNIE K, ICONIQ, Thelma Aoyama, Kana Nishino, and mihimaru GT as well as the top artists from Japanese club music scene including Sweet Vacation, Ayaka Ikio, and GARI showcasing his versatility and brand new sound. As a seasoned club DJ who developed own dance floor approach and pop sensibility, ★STAR GUiTAR brings very unique and different taste to the table that is neither today’s electro, nor techno/house sounds, and shines so bright that is Revolutionary & Delighted New Disco Sound.

Listen to a preview at http://soundcloud.com/cooljapanmusic/01-piece

Purchase at iTunes http://itunes.apple.com/us/album/piece-single/id445739536

[interview] SCANDAL in California, July 1-3

Wednesday, June 22nd, 2011 by Kathy Chee

It’s been three years since Japanese pop-rock band Scandal played North America on the Japan Nite Tour.  They’re back again for AM2 in California, more polished, more pop, and with a slick new look thanks to some grooming from Sony Music Japan.  Purple SKY sent some questions via email to ask just how has Scandal grown since 2008.

pSKY: Your outfits are matching, how do you come to a decision on your current look?
TOMOMI: We were students when we first formed the band. We felt that it may be more realistic if we wore the same school uniforms that we wear during practice. It just naturally came up.

pSKY: Tell us about the upcoming album, Baby Action? Is there an overall theme? What exactly is ‘baby action?’
RINA: BABY is about us. ACTION just means ACTION. This album reflects our feelings that we hope people will feel joy or happiness from our actions.

pSKY: In a past interview it was mentioned that other songwriters wrote your music and you collaborated on the lyrics. Has that changed?
MAMI: It’s basically the same, but recently we started writing songs and also some of our own arrangements.

pSKY: Are there any Japanese artists you’d enjoy collaborating with? How about US artists?
HARUNA: For this album we got to collaborate with an artist we look up to [You'll have to check out the new album to see who that is]. As for overseas artist, we would love to collaborate with artists such as Avril Lavigne and Green Day.

pSKY: Your music has gotten progressively more pop, do you agree or disagree? Please tell us why?
TOMOMI: Even before, and from now on, we would like to challenge various types of music. So it doesn’t mean we will be doing just pop music, or not doing pop at all. We will concentrate on making music that’s easy and catchy for anyone to listen to.

pSKY: You’ve been invited to perform at AM2 in California, what can fans expect from your upcoming performance?
RINA: We haven’t performed in America for so long. Since we’ve grown older, we would love to show you an exciting live stage!

pSKY: Anything special you want to eat in California? Is there anywhere you want to go sightseeing?
MAMI: I wanna eat California roll! Do some shopping and go to Universal Studio!

pSKY: Please leave a message for your fans in North America.
HARUNA: America was the first place we’ve performed outside of Japan. We are so happy to be able to perform again! Thank you very much for all the support, and please keep sending cheers on us!

Official SCANDAL website – http://www.scandal-4.com/
AM2 website – http://am2con.org/

[interview] Tomoe Shinohara

Friday, May 27th, 2011 by Victoria Goldenberg

The uninitiated might have been puzzled by Tomoe Shinohara’s concert with Hikashu at the Japan Society on May 13. Here was a pop singer and TV personality best known for her gusto paired with a cult experimental band. On the surface, Shinohara’s bubbly stage presence—she entered the stage grinning infectiously and tossing fake flower petals onto the audience—and sweet pop music have no obvious connection to a techno group unorthodox enough to open the set with beatboxing.

But Shinohara has been a vocal fan of Hikashu for years, and the band asked her to perform with them. “Even when I’m in the very back of the venue, their concert is so powerful that I suddenly feel like I’m in the front row,” she says. “Today, the audience was very involved and very together with the band. I wanted to be in the audience with them.”

Shinohara may have the ‘genki’ mannerisms and cute outfits emblematic of the pop idol genre, but she’s multifaceted and comes off genuine. She writes her music, and she’s worked with left-field pop musicians, from the aforementioned Ishino and Hikashu to Hirotaka Shimizu from Cornelius’s band and Yuka Honda of Cibo Matto. Thus, her music has more artistic intrigue than, say, that of AKB48 or Johnny’s idols. “You can look at the side of me that’s an idol, but I also collaborate with Hikashu,” she says. “That’s all part of me.” Shinohara points out that some idols give off the impression they’re trying to be pretty little things. She says in English, “Almost idol is so scary manager, is”—she thrusts her finger and imitates a manager commanding his protégé to look cute and pretty. “I don’t have manager. Myself produce idol.” Back to Japanese, “Being an idol for me is about showing people I’m having a great time and having fun.”

The May 13 show was Shinohara’s first performance in New York City, and she loved it. “I felt like the audience was not just an audience but friends,” she reflects. “I didn’t feel like there was a step between us so I was higher up on the stage and the audience was one step lower. I felt as if it was just flat.”

Being in an audience was actually where Shinohara was first noticed more than 16 years ago. A Sony “bigshot” (her word choice) spotted her dressed flamboyantly and reacting enthusiastically to a concert, and he offered her a contract. When he asked her what musicians she liked, she mentioned Takkyuu Ishino of Denki Groove, who subsequently produced her zany 1996 debut album, Super Model. “Super lucky girl,” Shinohara describes herself in English.

The same year her album was released, Shinohara began co-hosting the music variety show LOVE LOVE Aishiteru on Fuji TV. In her own segment, “Pre Pre Pretty,” she interviewed Western celebrities including Tim Burton. Ever the achiever, she has acted in dramas and films since 1997, voiced anime characters, participated in a children’s TV program, led a dance and performance group, and created paintings live.

Shinohara’s also a certified aromatherapist who uses scents to set the mood for her shows. For a calm performance, she might use sandalwood. She wanted the Japan Society audience to be happy, so she chose a rose theme and used the scent and fake flower petals to communicate it.

In the United States, she’s is best known for “Ultra Relax,” the theme song to the 90’s anime Kodomo no Omocha. The cartoon is hyper, endearing, and surprising—much like Shinohara herself.

For the Japan Society show, Shinohara eschewed her well-known songs and dug up demos she had recorded a decade ago. She and Hikashu picked the songs they thought they could work with and put together a concert of never-before-heard material. However, Shinohara performed the same way she does in Japan, merely shifting her communicative focus from her words to her hands to compensate for the language barrier. “I wanted to bring myself as a gift,” she explains.

Originally, she and Hikashu had planned to put on a purely happy, fun show. But then the Tohoku earthquake sent Japan into turmoil on March 11, and the Japan Society decided to dedicate half of its ticket sales this season toward earthquake relief. “At this stage I’m not saying no to any charity concerts,” Shinohara says. “One of the messages I embedded in the back of my head was, ‘Don’t worry, things are going to be fine. Let’s just move forward together for recovery.’” Thus, the concert was a mood-lifter on the whole. Shinohara was playful, leading the audience in a dance and joking that Hikashu’s beatboxing sounded “like animals.”

Until this year, Shinohara had not released any new solo music since 2005. After the earthquake, she made the song “Sakura no saku made” available as a digital download on the charity Web site DIY Hearts. In November, she will release the songs she performed with Hikashu as solo recordings. It will be her first self-produced CD, which is why it’s been taking a long time to make.

Shinohara did include one song in tribute to the earthquake victims, a highlight consisting of just her singing and percussion by guest drummer Steve Eto. When I recalled the song was titled “Jasmine,” Shinohara was pleased. “Wah, I’m so happy,” she squealed.

Translation by Fumiko Miyamoto

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[photo] Berryz Kobo @ Sakuracon

Tuesday, May 10th, 2011 by Kathy Chee

The seven-member Hello! Project idol group Berryz Kobo made their American performance debut at Sakura-Con 2011 for an audience of 3500 fans. Fans traveled from all over the world including multiple parts of the USA, plus Canada, France, Mexico, and Japan to support the pop vocal group who is celebrating their 7th year together.

Berryz Kobo members kept busy during the April 22-24 weekend, appearing at the event’s opening and closing ceremonies, participating in a live audience Q&A and two separate 60-minute sessions where they accepted gifts from fans and signed autographs for Sakura-Con attendees. At the HelloStoreUSA booth, Berryz Kobo signed a 6-foot banner and 7 hand-written messages in support of their USA CD release and American-based merchandise store. Group Captain Saki Shimuzu appeared at the booth on Sunday April 24 to announce the raffle winners and to personally inscribe the winner’s name on the vinyl banner.

The highlight of the weekend for Berryz Kobo fans was Saturday night’s hour-long live concert which featured songs spanning their entire career. Fans waited in line for hours before the concert and participated with the
performers during the show with high-energy chants, shouts, and choreography.

Sakura-Con attendees contributed over $1887 to Japan Relief at the Berryz Kobo booth during the three-day event. In addition, Berryz Kobo members donated wristbands and autographed posters to Sakura-Con’s annual charity fund-raising auction, raising an additional $850.

Set List:

Ganbarou Nippon Ai wa Katsu
Special Generation
Heroine ni Narou ka
Shining Power
-MC-
Piriri to Yukou
Happiness -Koufuku Kangei-
Tsukiatteru no Kataomoi
-MC-
Berry Fields
CLAP!
Maji Bomber!
Icchoume Rock!
Otakebi Boy WAO!
-MC-
Rival
(Encore) All For One and One For All

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[press release] Download the Japan Nite 2011 compilation for free from HearJapan

Thursday, March 10th, 2011 by Kathy Chee

Yokohama, Japan ― March 10th, 2011 ― The Japan Nite tour is about to take the US by storm once again, and HearJapan is excited to offer up an exclusive sampler of music from the bands!

This nine track album has music from eight of the bands on the tour. This year the selection has a rough and raw feel featuring punk, hard rock and stomping electro from the likes of White White Sisters, Vampillia, Suck Piggy, Ydestroyde, DJ TERAOKA AND THE REVOLUTION and Lolita 18. The smooth grooves of sonodaband and ZUZUKANASISTERS serve as perfect counterpoint. The entire compilation will grab listeners by the scruff of the neck and never let go. Just like you would expect at the live show!

Fans of the crazy underground Japanese scene might be excited to know that Vampillia is made up of a large number of big names, like Chikada, the drummer of World’s end girlfriend. There is also drummer Tatsuya Yoshida from Ruins and Korekyojinn. Then there is Toyohito Yoshida from exBOREDOMS. In total they have three singers, three string players, two drummers and more!

Japan Nite is the longest running US tour to exclusively feature Japanese bands. They always have an excellent line-up of bands both old and new, known and unknown. You will find a lot to love, so don’t pass up the chance to catch this exciting show!

You can get the 100% free sampler, more info, images and videos from the bands through the link below.

http://www.hearjapan.com/store/album_info/Japan_Nite_2011_Free_Download

Official Japan Nite 2011 Website – http://sxsw-asia.com/JapanNite2011/
Official Hear Japan Website – http://www.hearjapan.com/

J-Summit Show Feb. 20, 2011

Friday, February 11th, 2011 by Kathy Chee

[review] Star by Mika Nakashima

Monday, December 6th, 2010 by Jen Wang

At first glance, Mika Nakashima’s sixth studio album, Star, is familiar. It contains her latest six singles and their B-sides, It kicks off with “Always,” which is the kind of ballad she is well-known for singing. Even the cover is typical Nakashima style—dreamy gaze, glowing complexion, simple yet elegant hair and make-up.

Star, however, is not just soft and sweet. The images inside the CD booklet showcase the singer’s sexy, haute couture side, and songs like “Game” and “Candy Girl” combine old school funk and Motown with sass. Although they both feature heavy background vocals and horns, Nakashima never lets them outshine her. She is the diva here.

In the past, Nakashima has shown that she has attitude and funk so the second half of the CD is where the truly fresh sounds are located. It also happens to contain three new tracks.  “Lonely Star” is the closest she gets to electronica with its catchy dance beat and distorted vocals. The next three songs, which include “Memory (feat. DAISHI DANCE)” sung entirely in English, are synth-heavy as well.

Her other new songs, “16” and “Song for a Wish,” are ballads, yet they are the most outstanding numbers with their stripped-down vocals. The acoustic guitars and slightly sad tone makes “16” reminiscent of a country song while “Song for a Wish” is all about Nakashima’s voice, which she boldly allows to waver and crack. The resulting vulnerability makes the track a stunning (albeit quiet) finale.

Though devoted fans of Mika Nakashima may be disappointed in the lack of fresh material in Star, the few new songs make the album worth checking out. Like her fashion sense, it is mature and eclectic, two traits that have allowed Nakashima to shine throughout her nearly decade-long career.

Official Mika Nakashima website – http://www.mikanakashima.com/
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