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Posts Tagged ‘Hangry & Angry’

[interview] Rika Ishikawa

Monday, October 18th, 2010 by Victoria Goldenberg

Rika Ishikawa wears an H. Naoto dress adorned in illustrations by alternative artist Gashicon. A blue streak in her hair and heavily applied eye shadow signify darkness and rebellion. Feathery false eyelashes extend far past her petite face and make a rustling sound every time she blinks. Ishikawa is dressed as Angry, her persona in the rock-inspired pop duo Hangry & Angry. Since 2008, she and fellow Morning Musume alumna Hitomi Yoshizawa have performed as real-life avatars of fashion designer H. Naoto’s kitten characters. But Ishikawa is not acting in character for the interview, and she exhibits the mannerisms of her cheery Hello Project days—soft speech, a smile coupled with a swift point of a finger as punctuation, a friendly brush against translator Yaz Noya’s arm.

“Hangry & Angry’s music is very heavy dance and rock, so I probably couldn’t sing it without becoming the character,” Ishikawa says. “When I wear Angry’s makeup and outfit, then I turn on the switch to become her.”

And yet, Angry’s personality is not entirely foreign to Ishikawa. “When Angry gets hungry, she gets angry,” she giggles. “I’m very irritated when I’m hungry. But lately, I’m growing up and getting better.”

Ishikawa’s career began in 2000 when she joined Hello Project, the love it/hate it idol collective that has churned out cute and campy female idols since 1997. Ishikawa and Yoshizawa debuted as part of the fourth generation of flagship group Morning Musume, first appearing on their typically euphoric single Happy Summer Wedding. As was de rigueur for Hello Project members, Ishikawa simultaneously participated in a number of other groups assembled from the idol pool, such as Tanpopo, Country Musume and V-u-den. Because Morning Musume is a revolving door, Ishikawa ‘graduated’ from the group in 2005 and continued leading V-u-den until 2008.

Later that year, she and Yoshizawa underwent a drastic makeover to promote H. Naoto’s Hangry & Angry line, which Ishikawa had never worn before. They took on the personas of the mascots, which Gashicon designed, and released music that matched the brand’s image. Their debut single Kill Me Kiss Me is a dance-rock track whose music video is packed with tongue-in-cheek gothic imagery. Hangry & Angry released their first full album, Sadistic Dance, in November 2009.

Ishikawa went to the New York Anime Festival solo to participate in the Hangry & Angry fashion show and a panel with Gashicon. Though Ishikawa did not perform musically, as she did with Yoshizawa at Sakura Con last year, she did not mind. “It doesn’t matter if it’s a fashion show or concert—Angry is Angry,” she explains. “To me, it’s the same.”

She fantasizes about the ways she wants to spend her first visit to the Big Apple. “I’d definitely like to see the Statue of Liberty,” she says. “Shopping,” she adds with a laugh. “After that, I’d like to see Broadway if I have time.”

In March 2009, all the Hello Project veterans graduated the collective en masse. Ishikawa misses participating in the yearly Hello Project concerts. “It was like a reunion where we all saw each other,” she laments. But she’s still in touch with all her Musume peers and enjoys her newfound freedom. “After I left Hello Project, I could be independent,” she says. “I can get more work independently.” On follow-up, she clarifies that she doesn’t actually receive more work, but she feels like she does.

Morning Musume, like many other idol groups, is infamously rife with with ’scandals’ that disrupt its pure image, and Ishikawa herself caused a minor stir in 2004. Fans surreptitiously recorded her backstage during a concert and caught her describing screaming adult fans as “stupid.” Her remarks were not meant to go public and, depending on your perspective, were arguably justified. But many fans were jolted to find out their idols might not appreciate them as much as it seems. “I change a lot,” Ishikawa says, distancing herself from that incident. “To me, I’m myself on stage and I’m myself backstage. I express myself as is. For Hangry & Angry, it’s a totally different story. When I wear the outfit and makeup, I have to become the character.”

Because nearly a year has passed since Sadistic Dance, Ishikawa wants to release a new song. She also hopes to return to the United States. “Last year I performed at Sakura Con with Hangry, so I’d like to come back with Hangry and perform again,” she says.

[lifestyle] Tokyo Fashion Festa NYC

Saturday, March 20th, 2010 by Kathy Chee
Written by Leisl Schrader

If Lolita were a college student, perhaps a Fashion Design major at New York City’s Fashion Institute of Technology, the Tokyo Fashion Festa would be much like her senior thesis show. Her fanciful and innocent vision of fashion would express a great talent and imagination, as well as great potential for booming popularity.

The Festa, piggybacking onto NYC’s Fashion Week, was the first proper Lolita-themed fashion show outside of a convention (or the opening of “Baby, the Stars Shine Bright” store in San Francisco). Supporting the show were Sync Music Japan, a loose confederation of labels devoted to overseas promotion of Japanese artists, and the Japanese Ministry of Foreign Affairs, keen on promoting Japanese “music culture” and Lolita fashion overseas. Misako Aoki, the “kawaii ambassador” of the Ministry of Foreign Affairs, made the Festa her latest stop on a worldwide mission to promote Lolita that has so far spanned eight countries. The next day, she held a special meet and greet with fans at Tokyo Rebel, NYC’s first store dedicated exclusively to Japanese street fashion and Lolita brands.

Admission was free by reservation. Ticket reservations were first taken informally through email, and a second time through FIT’s website just two days before the event. Advertising seemed to be done exclusively over Facebook and Livejournal, sufficiently filling up the 750 person capacity of FIT’s HAFT auditorium.

Rock star brand “Baby, The Stars Shine Bright” started things off with a basic introduction to sweet Lolita styles. Frilled and layered jumpers and blouses, in white and only the palest of pink and blue, were paired with large hair bows and voluminous curls. “Angelic Pretty” did more than “Baby” to mix things up from the norm. Cyan and lavender were used alongside the usual white, pink, and sky blue. Some skirt designs even used glitter to enhance their graphic prints. All of the looks were paired with complementary purses (or bunnies, or magic scepters).

“MiELette Tautou” showed the most progressive direction of the Lolita brands, adopting elements of the natural Lolita and mori-kei trends. A new line debuting its first collection, the look is a far more subdued truer to actual Victorian era garments than the re-interpretive, over-the-top fantasy currently most prevalent. The bell shape curve is done away with, and skirts are long, either without curves or with a flared silhouette. Complimentary pieces included an empire waist cardigan and a cropped blazer.

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BTSSB offshoot line “Alice and the Pirates” was the one bastion for Gothic Lolita. Looks varied from the feminine red graphic-printed jumper and purple petticoat, to outright masculinity with red velvet knickers and matching puff-sleeved waistcoat with a miniature pork-pie hat. Peace Now brought the strongest image of classic Gothic elegance mixed with punk edge, with asymmetrical skirts, flowing petticoats in contrasting colors, and even shorts with thigh-high stockings. A small neck ruff made a strong impact as a uncommon piece directly drawn from historical fashions.

The “Madame Killer” line was created by Nichi Kashihara, one of the event’s organizers and the owner of a synonymous Soho boutique that imports Japanese fashions. Positioned as “gyaru,” the looks were more of a mix of NYC hipster and 1990s grunge. Tacked on at the end was the “hi-ho” line, inspired by the late and legendary X-Japan guitarist hide. Yukata and obi featuring bright colors and punk-styled prints, while a literal fusion of Japan and music, didn’t break any new ground, and didn’t quite fit alongside the event’s other lines.

Music and video was worked in with mixed effectiveness. Musical guests VY, composed of MOA on vocals and RIO on turntables, played a dark, techno pop-rock, and certainly dressed appropriately. Far less entertaining were two overly long commercial breaks from h.Naoto and Sync Music Japan. While the event production was not outright disruptive, flaws in lighting, transition timing, and an awkwardly unannounced show conclusion broke the magic at times.

Competing with big-name mainstream brands in the midst of New York City’s fashion week, it may be that our dear aspiring fashion star Lolita may not make it much farther than the small-time world of Japanese pop culture. There is, however, great potential for mainstream exposure in the “Japan Fashion Now” exhibit, coming this September at FIT. An event like the Tokyo Fashion Festa that shows the support of American fashion institutions, and of the Japanese music industry, may bring the big break she’s been hoping for.

[press release] JapanFiles to release Hangry & Angry’s new CD Sadistic Dance

Thursday, November 12th, 2009 by Kathy Chee

artist-hangry-and-angry-sadistic-danceNovember 12, 2009 – JapanFiles will release Hangry & Angry’s new CD Sadistic Dance on December 15, 2009.

The new album from the duo (portrayed by Rika Ishikawa and Hitomi Yoshizawa) contains 10 tracks, including the new single “Top Secret,” plus remixes of tracks from their mini-album Kill Me Kiss Me, and a special “h&A Death Tracks” version of Morning Musume’s hit “The PEACE!” which was first performed at Hangry & Angry’s live performance at Sakura-Con earlier this year.

The USA release will be identical to the Japanese regular edition, featuring the complete 20-page Japanese booklet. JapanFiles is offering free shipping to all customers who order the CD in advance of the December 15 release date.

JapanFiles released Hangry & Angry’s mini-album Kill Me Kiss Me earlier this year, which also contains the original Japanese-language booklet.

Other connected releases include:
Hangry & Angry Sadistic Dance (digital download at JapanFiles.com) – AvailableNov. 18

Hangry & Angry Sadistic Dance Limited Edition Lunchbox w/DVD (at HelloStoreUSA.com) – Available Dec. 1

Sadistic Dance
Track List:
01. Mr. Monkey
02. Top Secret
03. Sadistic Dance
04. Lady Madonna
05. DOUBT
06. Angelia (crash berlin version)
07. Shake me
08. Kill Me Kiss Me (crash berlin version)
09. GIZA GIZA (crash berlin version)
10. The☆Peace! (h&A Death Tracks) [bonus track]

LINKS!
Hangry & Angry at JapanFiles Digital Music Store – http://www.japanfiles.com/hangryangry
Sadistic Dance USA CD (pre-order) – http://www.japanfiles.com/store
Sadistic Dance Limited Edition Lunchbox w/DVD – http://www.hellostoreusa.com/hangry-and-angry/

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