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[interview] Swinging Popsicle Swings into New York

Friday, October 16th, 2009 by Victoria Goldenberg

artist-swinging-popsicleSwinging Popsicle makes an unlikely link between indie music and anime/video game fandom. While its laid-back retro rock isn’t the typical soundtrack for animated entertainment, the unassuming trio has played at conventions in North America and composed the music for the well-regarded 2009 PC game Sumaga/Star Mine Girl, introducing their 12-year catalogue to a new audience. But singer Fujishima Mineko, bassist Hirata Hironobu and guitarist Shimada Osamu make indie pop with broad appeal: It’s cheerful, melodious and driven by soulful yet understated vocals. As Hirata puts it, “everyone from kids who like to watch anime to older generations can enjoy our music.” On Sept. 27, they performed their second New York City gig at The Studio at Webster Hall as part of the Far East to East Showcase, a concert connected to New York Anime Festival.

The cold weather caught Swinging Popsicle off guard this time. When they played a solo show at the Knitting Factory in 2007, it was on a balmy May night. Shimada soon regretted wearing short sleeves in an unusually biting September.

Sumaga’s manufacturer organized Swinging Popsicle’s appearance at NYAF. For Hirata, it was a chance to return to a city whose talented people inspire him. Or, as Fujishima describes New York: “It’s cool.” (more…)

[Interview] Ken Lloyd of Fake?: The Art of Losing Borders

Friday, June 19th, 2009 by Victoria Goldenberg

fake_1Ken Lloyd, frontman of Oblivion Dust and Fake (typeset Fake?), is a man of dualities. He is British and Japanese, commercial and experimental musically, and outsider and insider to different aspects of Japanese culture. Just two hours before his alt-rock outfit Fake made their U.S. debut at Anime Next, Lloyd sat down with purple SKY to discuss his upcoming album, sideline interest in anime and why he thinks Vamps is crazy.

On the trip to New Jersey, Lloyd’s band mates in Fake were reading manga and playing video games. Anime Next had invited them to be the convention’s musical guest, and they agreed. Yet Lloyd himself isn’t an anime fan. “I was never brought up in that environment,” he says. He grew up in England, where he had little exposure to Japanese animation, although he did find it cool and advanced. “It’s almost intimidating because I hardly know anything about it,” he admits.

But observing American anime culture fascinates him. “It’s really different from Japan,” he says. “It’s the same vibe but it’s got this Western twist to it. I think it’s really cool.” He also appreciates how the Internet helps blend different cultures. “Everywhere, it’s becoming borderless, and all the countries don’t matter,” he says. “It’s just whether or not you find what you want, and if it’s in a different country it doesn’t matter.” (more…)

[live report] Fake? at Anime Next

Friday, June 19th, 2009 by Victoria Goldenberg

fake_6As he approached the front of the stage, Ken Lloyd blew a kiss to the cheering audience—then grimaced.

That expression gave away Lloyd’s nervousness about playing an unusual show—his first U.S. performance as Fake (typeset Fake?), at a convention for the anime culture foreign to him. It also punctuated his gesture by showing the gap between his confident rock ‘n’ roll stage presence and his true feelings. The question mark at the end of his band’s name doubts whether it’s fake, but Lloyd’s grimace doubted whether his act is real.

It was hard to tell once the music started, because Lloyd completely became his sexy persona. Clad in leather pants with an undone belt and a shirt that exposed his left shoulder, Lloyd wagged his hands and tongue at the audience, rolled his eyes up and vibrated manically, and danced like a white boy in front of his drummer. (Hey, he’s half.)

Lloyd’s electric presence helped make up for the disappointingly muddy sound system. While portable equipment in a convention center doesn’t lend itself to spectacular sound, the mix was so unclear that the songs were barely recognizable and Lloyd sounded shrieky.

You couldn’t fault the band. The support members supplemented Lloyd’s performance by playing well and enthusiastically. Guitarist Mine seemed most into it, sometimes smiling proudly and beckoning the audience for approval during his solos. He also sweated massively all over the press members standing at stage right.

Compared to previous bands at Anime Next, such as 12012, Fake drew a small crowd. From where I was standing, I could see at least the right third of the seats was empty. It’s understandable—Fake doesn’t have the large fan following 12012 has here, and their one, obscure anime tie-in doesn’t generate much name-recognition among anime fans. Aside from the hardcore fans up front, chanting along to “Disco,” the audience was probably as unfamiliar with Fake as Lloyd was with their anime culture.

But the unfamiliarity gave way to comfort during the concert. The audience moshed to the cathartic rock ‘n’ roll performance, and the band enjoyed their cosplaying audience. “You guys are the coolest-looking audience we’ve played for,” Lloyd remarked.

And even through that rock ‘n’ roll act, some of the relatable Lloyd came through. He promised to get an album out in the U.S. by next year, but said until then it was fine to download his music illegally. Now there’s a way to win over your audience—perhaps the new fans will do just that.

SETLIST:
1. Automatic
2. Everglow
3. Pulse
4. Color Don’t Change
5. In Vertigo
6. New Skin
7. Redemption
8. Bit of Life
9. Just Like Billy
10. Disco
11. nibiru
12. All My Reasons
13. Used to be a Bad Thing
14. Taste Maximum

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