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Posts Tagged ‘Dazzle Vision’

[interview] Dazzle Vision – Shocking, no. Loud? Yes!

Tuesday, April 24th, 2012 by Kathy Chee

Female fronted pop-metal band, DAZZLE VISION, is set to release their 6th studio album on May 4, 2012. After opening for Evanescence a few months earlier, recording a new album, and having Maiko’s death voice vocaloided, the band took a quick breather to answer some of our questions via email.

pSKY: John, did you change any of the guitar parts on the remixes for SHOCKING LOUD VOICE? How would you describe your particular style of guitar playing?

John: Other than the song “Kuhaku,” we just re-recorded.  In the new songs, “Second” and “Take my hand,” I didn’t change anything in the guitar parts.

About my style, I am best at emotional guitar playing with freedom of expression. The most important factor is for it to be unique, so I always look for things only I can do or sounds only I can create. When I perform live, I emphasize mainly on how it looks but this isn’t limited to during live performances. If it’s an instrument I don’t feel any attachment to, I don’t feel the urge to play whether it’s at home or at a live. Another essential thing is for the pitch to come together and the guitar to have a strong foundation.

pSKY: The album remixes/remasters have really clean production. Did you re-record any parts and if yes, how did you approach recording each song in the studio?

Maiko: “Second” and “Take my hand” were new songs, so we newly recorded them. We created them with an emphasis on the live aspect, to connect with the album concept. I have poured more emotions in than ever, screamed and sang both songs. We also recorded “Kuhaku” as a live version. To give it more of a live ambiance I sang it all out in one shot without resting in between.

pSKY: Was there a specific direction when you chose the track listing? It makes for a very energetic feeling album as a whole.

Maiko: We chose the track list by imagining a live performance set list. If you listen to this album, I think the flow of DAZZLE VISION’s live performance can be felt. We tried really hard to figure out a way to make the sound close to the sound you can hear at a live venue too. If you listen to it, I would like everyone to come to our live performance.

pSKY: You opened for Evanescence, did you get a chance to hang out? How would you describe the experience of opening for a popular foreign artist?

Maiko: As for myself, I was very moved because it was a band I really liked before I started a band. Their live performance was inspiring, but all of us were inspired by how Evanescence was backstage too, how they interacted with their fans, etc. After the live performance we talked, took photos, and got their autographs.

What I was happy about the most in the two days of performing was that on the first day we gave Amy a copy of our album “Kirari.” After the second day’s performance, it seemed as if she had listened to it, and Amy asked us to autograph the jacket cover. I was really surprised and also I was so happy she felt a positive vibe from our piece! We felt we would like to become artists who have big, warm hearts like Evanescence.

pSKY: Do you consider yourselves part of the metal scene? Tell me about the metal scene in Japan in terms of popularity. Do you think it’s similar in popularity to visual kei (more popular, less popular or just so different it doesn’t matter)?

Maiko: DAZZLE VISION is in a broad category of genres including metal, visual kei, pop, screamo, etc. The only thing is that it’s not for us to decide and we believe it’s something defined by the listeners. I think the popularity of the metal scene and visual kei scene is about the same in Japan, but the age range/gender of the main listeners are different.

pSKY: Do you ever hope to break into the metal scene in North America? Think Evanescence will invite you to tour with them outside of Japan?

Maiko: We would like many more people to know about DAZZLE VISION and like us, so we definitely would like to get ourselves into the North American market. Evanescence said to us, “See you soon!” so we would happy if they invited us. We would like to continue on our activities to grow into artists who are worthy of being invited.

pSKY: Maiko, have you ever felt discriminated against as a female vocalist in this genre? Have there been any tough decisions you’ve made based on your gender?

Maiko: I do feel this. But there are more times I feel I’m glad I am a woman. Also, up to this point, I’ve never had a experience where I had to make a difficult decision.

pSKY: Maiko and Takuro, you’re siblings. Do you ever run into sibling rivalry? Takuro, have you ever had to fend off Maiko fanboys?

Maiko & Takuro: There’s really no sibling rivalry.

Takuro: It’s not a sibling rivalry, but I believe we give each other good influences. There are times when I think Maiko’s working really hard, so I have to as well and it makes me think a lot. Also, we barely have the sense that we are siblings and we mostly interact with each other as band members. Although, there definitely is an existence of mutual understanding, for sure. I believe this definitely is a merit for siblings. And DAZZLE’s fans are well mannered, so I’ve never been put in a situation where I had to protect Maiko. If, in a situation where something like this did happen, I think not only myself but the fans would protect her too.

pSKY: Maiko, your death voice was recorded for an alter ego compatible with the Utau software. Have you listened to any tracks featuring your alter ego? What do you think of her?

Maiko: Of course I listened to it! So many people are making pieces using “Hakaine Maiko.” The voice and her image is me, so I want to love her as another part of myself. I will work hard on my activities as “Maiko of DAZZLE VISION,” so I won’t lose to “Hakaine Maiko.”

pSKY: What are your plans after the album release on May 4?

Dazzle Vision: We decided to make this year -the year of the live- after releasing “SHOCKING LOUD VOICE,” so we are thinking of performing live in all different parts of Japan. We already have many lives planned, but we would like to go perform a lot overseas, so please invite DAZZLE VISION to your country! Let’s go crazy at the venue and have fun. We would like to meet everyone soon!

Official DAZZLE VISION website – http://dazzlevision.net/top.html
Resonance Media – http://www.resonance-mms.com/

[press release] J-Rock screamo band Dazzle Vision in New UTAU Software

Saturday, March 24th, 2012 by Kathy Chee

Japanese Vocaloid fan magazine Gekkayo publishes vocalist Maiko download

March 23, 2012 – Japanese hard-rock screamo band Dazzle Vision posted photos on their Twitter account today previewing the release of vocalist Maiko’s voice-synthesized alter-ego. Famous for her “Death Voice,” high-fashion lolita style, and melodic vocals, Maiko and her band-mates recently judged an open-mic “Death Voice” contest outside Shibuya’s fashion landmark 109 building.

Japanese fan magazine Gekkayo has posted a download of Maiko’s voice compatible with the UTAU software. Competing Vocaloid software (from Crypton Future Media) was made famous by characters like Hatsune Miku, Kagamine Rin and Len, and Megurine Luka. In 2009, J-Rock singer Gackt lent his voice talents to become a character for the software Gackpoid.

Dazzle Vision’s new album “Shocking Loud Voice” releases May 4 in Japan.

Official Dazzle Vision website – http://dazzlevision.net/top.html
Gekkayo Online – http://gekkayo.jp/

[interview] RAMPANT – Rock Music for Kicking Down Doors

Tuesday, April 12th, 2011 by Kathy Chee
Interview by Dave Cirone

Osaka-based hard-rock band RAMPANT made their American debut at Tekkoshocon IX in Pittsburgh, PA. Playing for an audience of over 900 (the highest in the event’s history), the band delivered a 11-song set from their two latest releases, Choice of Life and BLOSSOM.

A regular performance partner of exist†trace and Dazzle Vision in Japan, RAMPANT’s vocalist Hiroko uses her equally-effective scream in just a handful of tracks, holding it back for just the right moment like a knock-out punch. Hiroko is both feminine and tough, a necessary combination to fit in with a band of male musicians who, though outwardly playful, are very serious about kicking everyone’s ass and making their own sound.

During performance, it’s Atsushi (lead guitar) and Tomoya (rhythm guitar) who make a point of regularly stepping over the stage monitors to connect with the audience. Kei (bass) is the most relaxed presence on stage, sticking close to drummer KA+U (a stylized version of “Katsu”), whose regular hobby of weight-training helps him punish the drum kit mercilessly during the hour-long show.

For this interview, we gathered in the Wyndham Grand Hotel early in the following morning. Though physically tired from the show and the solid hour of autograph signings, there’s still a glow on each member’s face. It’s a mixture of relief and amazement, and everyone’s ready to talk about music.

purple SKY: Looking at the titles of your three CD releases — Chain, Choice of Life, and BLOSSOM — it seems that the English words form a theme of forward progression: captivity transitioning into freedom. Is that correct?
Atsushi: (immediately) No connection.

Hiroko: (laughs) That was so fast!

KA+U: There’s a specific meaning for each title, a specific way it connects to the songs on the album. But we didn’t try to link them.

Tomoya: The first mini-album Chain — “chain” means like a bond, not like a prisoner. (more…)

[interview] To “XYZ” and Back: HIGH and MIGHTY COLOR Returns to Their Metal Roots

Monday, April 19th, 2010 by Kathy Chee
Interview and photos by David Cirone

HIGH and MIGHTY COLOR’s April 3rd concert shook the walls, the floor, and even nearby freight elevators at the Washington State Convention Center. Having performed twice before for American fans in 2006 and 2007, their appearance at Sakura-Con 2010 was the band’s first opportunity to show their re-awakened metal side with vocalist HALCA taking over for graduated original member Mākii.

Supported by opening band Dazzle Vision, HIGH and MIGHTY COLOR’s one-hour set contained a mix of the heaviest songs from their latest album, swamp man, amid anime theme songs (from Bleach, Mobile Suit Gundam Seed Destiny) that have made the 6-member rock group famous worldwide.

Previously straddling the fence between their Metallica cover-band roots and a sometimes pop style supervised by major label Sony, HandMC has surmounted the task of replacing an adored original member and launched a new identity with swamp man. With support from their Okinawa-based label Spice Records, songs like “XYZ,” “good bye,” “hate,” and “living” give evidence of a refined hard-rock sound that invites fans to move forward with them into a new chapter that all 6 members are genuinely excited about.

Mostly due to their anime pedigree, but partially due to curiosity about HALCA’s readiness to step into the spotlight, the Sakura-Con audience filled the hall to capacity (4000+) and kept in stride with the amped 12-song set — then demanded an encore.

Returning to the stage, vocalist YUUSUKE admitted to the crowd that they weren’t prepared for another song, but they were going to play anyway. HALCA, who had lost any bit of timidity after months of touring with HandMC in Japan, asked the crowd “How’re you fucking feeling?”

I sat down with the band the next day to return the question. (more…)

[interview] Dazzle Vision; Glitter with a Scream

Wednesday, March 31st, 2010 by Kathy Chee
Article by Sarah Dworken

Unassuming in their independent music spirit, rock band Dazzle Vision is finding their way onto North American shores for the first time in their seven year career. 1990’s prog-rock mixed with glam metal and a splash of Avril Lavigne for good measure, Dazzle Vision will be performing at Seattle’s Sakura-Con on April 3 as the opening act for High and Mighty Color. Unlike the con’s headliner, J-music and anime fans might not be terribly familiar with Dazzle Vision. But if their most recent releases are any indication of what’s to come, they’re a worthy contender for the audience’s attention.

The band started out in the traditional indies music fashion. A group of friends, including a pair of siblings as represented by the vocalist and bassist, decided to take elements from previous projects and create music that they wanted to do. Gaining popularity on the indies circuit, they moved on the release works on JapanFiles in order to reach the ever so difficult to tap overseas market.

Before they head off to the US for their first concert on the other side of the Pacific, the band sat down with me for a no-frills chat about their music and what exactly is – dare I say? – dazzling about Dazzle Vision. (more…)

[press release] Dazzle Vision’s “to the next” CD at Sakura-Con 2010

Thursday, March 18th, 2010 by Kathy Chee

JapanFiles will release Dazzle Vision’s 4th full-length CD “to the next” at Sakura-Con 2010. Dazzle Vision will perform their first USA live concert at the 3-day event April 2-4.

The all-new 8-song CD will be on sale at the JapanFiles booth and at the band’s concert and autograph sessions. Please check the Sakura-Con website for schedule and details:

http://www.sakuracon.org

The USA CD release of “to the next” contains the complete Japanese-language booklet. Dazzle Vision fans will be able to purchase the CD and digital versions one month before the official release in Japan.

JapanFiles Digital Music Store – http://www.japanfiles.com/dazzlevision
Dazzle Vision official website – http://dazzlevision.net

[press release] Dazzle Vision to perform at Sakura-Con 2010

Friday, October 9th, 2009 by Kathy Chee

dazzle-vision-artist-photo-2Japanese rock band Dazzle Vision to perform at Sakura-Con 2010

October 9, 2009 – Japanese indie rock band Dazzle Vision will make their North American debut at Sakura-Con 2010. The band will perform a live concert and attend autograph and Q&A sessions for fans during Sakura-Con’s three-day event in Seattle, WA on April 2-4, 2010.

Sakura-Con information and pre-registration at http://www.sakuracon.org/

DAZZLE VISION PROFILE
Dazzle Vision is:

Vocals – Maiko
7-String Guitar – Yu
5-String Bass – Takuro
Drums – Haru (ex. Goofy Style)

Popular in the Japanese indie scene for their hard rock sound and Maiko’s alternating melodic/death-voice vocals, Dazzle Vision was formed in June 2003, and has held their current lineup since May 2008.

Dazzle Vision released their first album Origin of Dazzle in November of 2006. Their second album Camellia Japonica was released in April 2007, followed by an 11-city tour of Japan. After selling out of the first presses of Origin of Dazzle and Camellia Japonica, their 3rd album Crystal Children hit #1 on HMV’s pre-sale chart and #2 on Tower Records pre-sale chart prior to its official release in November 2008.

Dazzle Vision appears by arrangement with Human Noise Records and JapanFiles.

Dazzle Vision Official Website: http://dazzlevision.net/top.html
Dazzle Vision Official MySpace: http://www.myspace.com/dazzlevision
Dazzle Vision music on JapanFiles: http://www.japanfiles.com/dazzlevision
Japan Files Official Website – http://www.japanfiles.com
Sakura-Con Official Website – http://www.sakuracon.org/

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