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Posts Tagged ‘anime’

[interview] Nenna Yvonne – More Than a Human Vocaloid

Friday, January 6th, 2012 by Sarah

Place all your My Little Ponies, Lisa Frank stationary, and Barbie shoes in a blender, add a dash of MikuHatsune the vocaloid, and puree. What do you get? Something only half as cute and colorful as Nenna Yvonne, the Nigerian-American singer-songwriter who came to Tokyo in October for an uber-trendy performance. Donning a wig that would make Marie Antoinette flush with jealousy, Nenna sat down with me after her brief but bouncy live. Just the typical girl talk: clothes, hair, and how it was impertinent to get up early on Saturday mornings for a dose of Sailor Moon when we were kids.

pSKY: How did you get into this kind of style of fashion and music?

Nenna Yvonne: Well, I grew up pretty much admiring a lot of anime cosplay artists. And I also kind of was into anime characters in general. Like Sailor Moon. I was watching that from when I was very little. So that was the thing to do after school and on weekends. My brother would sketch out the characters for me. He’s kind of a visual artist and I’m a musician, so it kind of runs in the family in a way. I took a lot of Japanese influence as far as music and culture and just fashion sense, and I combine it with kind of American, kind of urban style, just in the music side of it. For the image side of it, I wanted it to be completely kawaii. It’s the contrast that I’m looking for. I just kind of fell in love with it.

pSKY: A lot of people seem to want to do what you do. How did you make it in the industry?

Nenna Yvonne: I think making fashion your own, you kind of have to already have it in you. People always say that no one can take something that’s already yours. So if it’s something that you have naturally, it’s something that just comes out naturally. You don’t really have to force it or explain how to do it for you. So as an artist it kind of became an image and identity for me because it’s just natural.

pSKY: Have you gotten a chance to go around Tokyo at all?

Nenna Yvonne: We went to Harajuku, we went to Kiddy Land, we went to the shrine. We went to a couple different places, more like monumental places. A lot of it has been me just kind of getting adjusted to the time difference.

pSKY: What did you think of Kiddy Land?

Nenna Yvonne: Kiddy Land is like magic land. I thought they redid the place. I heard they kind of re-structured it from what it used to look like. A lot of celebrities like Michael Jackson used to go there and collect because there are a lot of collectibles and cosplay characters. I saw the Miku character. I’ve been following vocaloid music on YouTube of all places. Vocaloids are cool though because it’s like this anime character that’s just got so much energy and personality. It’s like, wow, is this human or is it a hologram, but it’s cool because it gives you kind of a visual representation of what you want to be yourself. So I took a lot out of that place.

pSKY: Do you make or design your own clothes?

Nenna Yvonne: Some of the pieces are actually mine. It’s a whole team of people in hair and makeup that came together. We visualized it and we said, “OK this is what we’re going to do.” I added my own kind of personal style and taste to it, and it just came to life!

pSKY: Is your hair heavy?

Nenna Yvonne: Not so much, but I can feel it when I tilt my head. Dancing on stage with it, it was a little scary!

pSKY: Who is your audience for your music?

Nenna Yvonne: It’s just about putting out music that I love, and hoping that people in general will just gravitate to it and take something away from it. A lot of people throw around the words “marketing” or “niche” or “what’s your fanbase?” But the world is your fanbase. Creativity starts from who you are and nobody can come in and say, “I’m going to market you this way.” The gimmick starts and stops, but the artistry never ends. It just keeps going.

pSKY: Who are your inspirations musically?

Nenna Yvonne: Musically, I pull from everything. I would even say anime characters inspire me. Conversations with friends and family inspire me. I write all my own music, so I really take inspiration from just about anything. Like I could be creating a piece for myself for a live show and just like, “Oh! I have a great idea for a song!” and just kind of note it on my cell phone or something. Then I go home and record the melodies and go back and kind of revise it a little bit, and then start structuring a full song. So I’ve been writing for a long time, but inspiration for me comes from characters as well as Janet Jackson, Cyndi Lauper, Michael Jackson, Grace Jones even.

pSKY: I saw that you’ve done modeling that’s not exactly the same style as your music persona.

Nenna Yvonne: My look and my fashion sense is so versatile, I really can just transform depending on the visual and just the direction of who I’m working with and who I’m collaborating with. I have a lot of photographers come up to me and say, “Hey, what do you think about dressing up in like a dominatrix crazy catsuit with heels up to here?” And I’m like, “Let’s do it!” I’m all about experimenting and having fun.

pSKY: What do your parents think of all this?

Nenna Yvonne: Right before I came on the plane to come here, my dad was the last person I spoke to and he was just so excited for me because he’s so professional and strict. My dad’s a diplomat, so he’s really stern and kind of like business-oriented. I grew up with a sense of political understanding, not just on a national level, but on an international level because we traveled a lot. So he kind of saw me doing this in the long run because he saw how much I love doing music from the time I was a little girl. He kind of saw it coming.

pSKY: Is he musical at all?

Nenna Yvonne: No, no one else in my family. I think the only person that’s into music that way is my uncle, but I’m the only one that’s pursuing it.

Official Nenna Yvonne website – http://nennayvonne.com/

[interview] SCANDAL in California, July 1-3

Wednesday, June 22nd, 2011 by Kathy Chee

It’s been three years since Japanese pop-rock band Scandal played North America on the Japan Nite Tour.  They’re back again for AM2 in California, more polished, more pop, and with a slick new look thanks to some grooming from Sony Music Japan.  Purple SKY sent some questions via email to ask just how has Scandal grown since 2008.

pSKY: Your outfits are matching, how do you come to a decision on your current look?
TOMOMI: We were students when we first formed the band. We felt that it may be more realistic if we wore the same school uniforms that we wear during practice. It just naturally came up.

pSKY: Tell us about the upcoming album, Baby Action? Is there an overall theme? What exactly is ‘baby action?’
RINA: BABY is about us. ACTION just means ACTION. This album reflects our feelings that we hope people will feel joy or happiness from our actions.

pSKY: In a past interview it was mentioned that other songwriters wrote your music and you collaborated on the lyrics. Has that changed?
MAMI: It’s basically the same, but recently we started writing songs and also some of our own arrangements.

pSKY: Are there any Japanese artists you’d enjoy collaborating with? How about US artists?
HARUNA: For this album we got to collaborate with an artist we look up to [You'll have to check out the new album to see who that is]. As for overseas artist, we would love to collaborate with artists such as Avril Lavigne and Green Day.

pSKY: Your music has gotten progressively more pop, do you agree or disagree? Please tell us why?
TOMOMI: Even before, and from now on, we would like to challenge various types of music. So it doesn’t mean we will be doing just pop music, or not doing pop at all. We will concentrate on making music that’s easy and catchy for anyone to listen to.

pSKY: You’ve been invited to perform at AM2 in California, what can fans expect from your upcoming performance?
RINA: We haven’t performed in America for so long. Since we’ve grown older, we would love to show you an exciting live stage!

pSKY: Anything special you want to eat in California? Is there anywhere you want to go sightseeing?
MAMI: I wanna eat California roll! Do some shopping and go to Universal Studio!

pSKY: Please leave a message for your fans in North America.
HARUNA: America was the first place we’ve performed outside of Japan. We are so happy to be able to perform again! Thank you very much for all the support, and please keep sending cheers on us!

Official SCANDAL website – http://www.scandal-4.com/
AM2 website – http://am2con.org/

[live report] heidi. – Sure, Why Not?

Monday, June 13th, 2011 by Sarah

I was sipping a beer at the concession stand outside the venue for heidi’s show when a lamb walked by. The lamb had one of its ears pierced and wore a black, apron-like punk get up. I glanced back and forth from my beer to the lamb for awhile before shrugging and taking a giant swig.

Why the hell not?

That was my impression of heidi.’s Premium Showtime [-Birthday-] on June 3, 2011 in Tokyo. Heidi is the young band whose name, judging by the lamb motif, was derived from the classic children’s novel about a little girl and her creepy grandfather, plays visual kei rock with slight hints of punk and Neo Japanesque, and causes their fans to twirl insanely. I swear the beer had no effect on the twirling part.

As a whole, heidi is not too different from the typical fourth (fifth? I lost count) generation visual kei band. They have the Rod Stewart-style layered hair, semi-gothic clothing, and the tenor-to-occasional-metal-screaming vocalizations of Yoshihiko that so many of their peers love to incorporate in their music. Besides vocals, guitar is the centerpiece of the music, and while Nao is by no means unskilled, his instrument serves its purpose of carrying the melody. In summary, they’re good, but not something to prove wrong your pessimistic friends who believe all visual kei sounds the same.

But that’s just it. The reason why heidi sold out their show that day was because they are satisfyingly digestible in every way. Their music is good, but not brilliant, which makes it easy for the casual music fan to get from the first of their 30-some odd tracks they played that evening. Their look is mall-goth levels of dangerous, but not extraterrestrial enough to make parents seek counseling for their kids. Their MCs are vaguely pervy, but not disgusting in a way that would put the FCC’s panties in a twist.

Of course, this brings the median age of fans down to the late-teens. But who is to say there shouldn’t be bands out there for that group? Heidi is the type to give you enough street cred without making you stand out, which is perfect for the young person who just wants to have a good time without thinking too hard about it.

This all works to make heidi great for the anime convention circuit. Their photos alone will draw in curious convention goers when they perform at AM2 in California this summer. And their sound will satiate the newbies and oldbies of visual kei fandom for the time being. If you find yourself at the Anaheim Convention Center, and you’re not sure whether to take a listen, just ask yourself, “Why the hell not?”

Official heidi. website – http://heidi-net.com/top.php
AM2 website – http://am2con.org/

[interview] ZAMZA

Monday, June 28th, 2010 by Sarah

ZAMZA may take its name from the existentialist novella Metamorphosis, but don’t let that lull you into thinking this band has any similarities to your stuffy modern lit teacher. Taking members from the legendary pop-rock band JUDY AND MARY and the equally influential ECHOES, ZAMZA has played their distinctly high-octane shows across Europe and North America.

On the verge of the release of their latest album, Tsukizoku (Tribe of the Moon), guitarist Hiroki, drummer KOHTA, and keyboardist Toshimichi Isoe found some time to sit down with purple SKY.

pSKY: First, I’m not quite sure about your name. I’ve seen it written ZAMZA and ZAMZA N’ BANSHEE, so what is the difference between the two?

Hiroki: When we perform overseas, if we use the posthumous name ZAMZA N’ BANSHEE, no one will recognize it by just looking at it. It was too long for when we went overseas. That’s why we write it as ZAMZA. (more…)

[press release] Japan’s FAKE? is ‘Switching On’ International

Monday, June 28th, 2010 by Kathy Chee

Japanese rock band, FAKE?, releases Switching On X, the first international debut in their eight album history

The release of FAKE?’s Switching on X marks the first time the genre-defying band’s music is available anywhere outside of Japan.  With an eight year track record of success within their homeland, and a ravenous network of fans located all over the globe, FAKE? now partners with LA’s MusicTaste label to deliver the heavily anticipated Switching on X to its global audience.

Recorded in London, England, by acclaimed producer Martin Glover (Paul McCartney, The Verve, Dido) the album was birthed with an international identity.  Based in a foundation of rock, the album breathes overtones of electro meets alternative-industrial.  English lyrics and big, accessible, choruses – elements consistent with all of FAKE?’s music – are as present as ever in Switching on X.  Ranging from aggressive to beautiful, the avant-garde studio album can easily be recognized as the band’s most innovative, yet focused release to date.

With plans to invade the United States in late 2010 with a string of live performances in and around the anime community, FAKE? looks to expose their energetic live shows to a brand new American audience.  For many, FAKE?’s departure from Japan has been a long-time coming in regards to their musical and lyrical approach, having always been perceived as stylistically closer to acts from the US and the UK in comparison to their Japanese rock contemporaries.

When recently asked about a direction for the band, Lloyd stated, “We have the freedom to do whatever we want…’no direction’ is our direction.”  But make no mistake about it – Lloyd’s “no direction” plan is neither passive nor apathetic, but rather a calculated method to hold fast to the creative freedom that so many bands lose sight of when labeled with a concrete definition.

FAKE? (www.hedfuc.com)
Formed by Ken Lloyd of the already popular Oblivion Dust, and INORAN, guitarist of rock sensation Luna Sea, FAKE? was founded on the concept of having no boundaries.  Eight years later, FAKE? maintains success by staying true to that promise – offering engaging live performances, incorporating experimental musical elements, and singing lyrics in both English and Japanese.

MusicTaste (www.musictaste.com)
MusicTaste is an LA-based boutique record label housed within the Horipro Entertainment Group focused developing songwriters as artists, as well as exposing listeners to a wide variety of music from its global network of music publishers and record labels.

[press release] JapanFiles & Victor Entertainment Partnership

Monday, June 14th, 2010 by Kathy Chee

JapanFiles and Victor Entertainment begin partnership with releases from KOKIA (Gunslinger Girl, Tales of Innocence) and detroit7

June 14, 2010 – The JapanFiles Digital Music Store adds releases from KOKIA and detroit7 this week, courtesy of a new partnership with Victor Entertainment.

Chart-topping Japanese singer/songwriter KOKIA is best known to Western audiences for her various contributions to anime/game soundtracks, including Origin: Spirits of the Past, Karakurizōshi Ayatsuri Sakon, Red Garden, Gunslinger Girl: Il Teatrino, Broken Blade, Tales of Innocence, Tail Concerto, Suikoden II, Demon’s Souls, Ar tonelico III.

KOKIA has also contributed songs to Japanese TV shows and commercial campaigns, and she has performed internationally in China, France, Ireland, Poland, Belgium, and Germany. Her song “Arigatou…” reached #1 in Hong Kong in a cover version recorded by Sammi Cheng, and her song “Yume ga Chikara” was used for the Japan team at the 2004 Athens Olympic Games.

Eight full-album releases from KOKIA are now available from JapanFiles, including “pearl – The Best Collection,” “KOKIA infinity AKIKO -balance-” and “THE VOICE.”

http://www.japanfiles.com/kokia

Also available this week is the full “Black & White” album from indie-punk favorites detroit7. The album released on JapanFiles is the full 12-track Japanese release (vs. the shortened version on iTunes). Fans can now download the full album with its original artwork at the JapanFiles Digital Music Store.

http://www.japanfiles.com/detroit7

[press release] Tainted Reality presents Luzmelt in Concert at Tekkoshocon VIII

Monday, March 8th, 2010 by Kathy Chee

March 7, 2010 – Havertown, PA: Visual Kei new comers Luzmelt are set to make their US debut at Tekkoshocon VIII. Their appearance will consist of 2 full concerts, merchandise sales, autograph sessions, a Fan Q&A panel, and an internet radio Telethon with label mates Suicide Ali to air on Tainted Reality on April 8th at 8pm Eastern, 5pm Pacific live from the convention! Furthermore, for fans unable to attend the convention, if they purchase Luzmelt CD’s on the Tainted Reality Online Store during the telethon, the band members will sign them personally! Tekkoshocon VIII will take place on April 8-11 2010 at the David L. Lawrence Convention Center in Pittsburgh, Pennsylvania.

About Luzmelt:
Luzmelt is a newly formed Visual Kei band hailing from Tokyo, Japan. The band’s concept is the representation of the darkness and the light sought after by people who have lost their hearts. The band is the brainchild of frontman, Yuhma, who has been working on the music and concepts of the band for the past half decade. Their first mini-album “Swallowed Scenery”, was released in February 24th to coincide with the band’s debut. Their second mini-album “Luz-Destination”, is set to be released on March 24th, 2010, and will further explore the themes established in the first EP.

About Tekkoshocon:
Hosting conventions since 2003, Tekkoshocon, located in Pittsburgh, Pennsylvania, strives to support the community surrounding Japanese popular media and promote said media’s availability in the United States. Tekkoshocon serves as a venue for the public to celebrate and experience various areas of Japanese media and fashion as well as interests unique to the American otaku community. It is also a meeting place where industry members and professionals can conduct business and connect with the general public. Tekkoshocon VIII will be held April 8 – April 11, 2009, at the David L. Lawrence Convention Center in Pittsburgh.

Official Tainted Reality Website – http://www.taintedreality.net/
Official Luzmelt Website – http://luzmelt.com/
Luzmet Myspace Page – http://www.myspace.com/luzmelt
Official Tekkoshocon Website – www.tekkoshocon.com

[interview] Swinging Popsicle Swings into New York

Friday, October 16th, 2009 by Victoria Goldenberg

artist-swinging-popsicleSwinging Popsicle makes an unlikely link between indie music and anime/video game fandom. While its laid-back retro rock isn’t the typical soundtrack for animated entertainment, the unassuming trio has played at conventions in North America and composed the music for the well-regarded 2009 PC game Sumaga/Star Mine Girl, introducing their 12-year catalogue to a new audience. But singer Fujishima Mineko, bassist Hirata Hironobu and guitarist Shimada Osamu make indie pop with broad appeal: It’s cheerful, melodious and driven by soulful yet understated vocals. As Hirata puts it, “everyone from kids who like to watch anime to older generations can enjoy our music.” On Sept. 27, they performed their second New York City gig at The Studio at Webster Hall as part of the Far East to East Showcase, a concert connected to New York Anime Festival.

The cold weather caught Swinging Popsicle off guard this time. When they played a solo show at the Knitting Factory in 2007, it was on a balmy May night. Shimada soon regretted wearing short sleeves in an unusually biting September.

Sumaga’s manufacturer organized Swinging Popsicle’s appearance at NYAF. For Hirata, it was a chance to return to a city whose talented people inspire him. Or, as Fujishima describes New York: “It’s cool.” (more…)

[Interview] Ken Lloyd of Fake?: The Art of Losing Borders

Friday, June 19th, 2009 by Victoria Goldenberg

fake_1Ken Lloyd, frontman of Oblivion Dust and Fake (typeset Fake?), is a man of dualities. He is British and Japanese, commercial and experimental musically, and outsider and insider to different aspects of Japanese culture. Just two hours before his alt-rock outfit Fake made their U.S. debut at Anime Next, Lloyd sat down with purple SKY to discuss his upcoming album, sideline interest in anime and why he thinks Vamps is crazy.

On the trip to New Jersey, Lloyd’s band mates in Fake were reading manga and playing video games. Anime Next had invited them to be the convention’s musical guest, and they agreed. Yet Lloyd himself isn’t an anime fan. “I was never brought up in that environment,” he says. He grew up in England, where he had little exposure to Japanese animation, although he did find it cool and advanced. “It’s almost intimidating because I hardly know anything about it,” he admits.

But observing American anime culture fascinates him. “It’s really different from Japan,” he says. “It’s the same vibe but it’s got this Western twist to it. I think it’s really cool.” He also appreciates how the Internet helps blend different cultures. “Everywhere, it’s becoming borderless, and all the countries don’t matter,” he says. “It’s just whether or not you find what you want, and if it’s in a different country it doesn’t matter.” (more…)

[press release] Vocalist MELL To Perform at Otakon©

Wednesday, June 17th, 2009 by Kathy Chee

mell-500Baltimore, MD (June 17, 2009) – Japanese singer MELL, whose music is described alternately as J-pop, trance and techno and who has recorded several anime theme songs, will be a guest at Otakon 2009.

MELL shot to fame as one of the main vocalists of the group I’VE Sound, a Japanese techno/trance music production group known for distorted grooves. With her debut single release of “Red Fraction,” from her 2008 album Mellscope, MELL’s fascinating voice brought her renown in Japan’s music industry. Her superb stage performances and deep passion for the music drew enthusiastic audiences, making her accompanying tour of Japan an instant success.
With her second smash hit, “Proof,” she expanded the dark image associated with her first single, demonstrating motherly kindness in her voice, and appealing to a wide range of ages.

MELL was the first singer to work with Kazuya Takase and Yasutaka Ipposhi, the founders of I’VE Sound, even before they created their label. The production group eventually featured the talents of fellow vocalists KOTOKO, Mami Kawada, Eiko Shimamiya, and Kaoru Utatsuki and created the theme songs for many anime series. MELL’s characteristic vocals, combined with Kazuya’s arrangements, formed a fresh sound that fans would love in MELL’s theme songs for Black Lagoon, Hayate the Combat Butler, Sky Girls, Kiru: Kill and Rideback.

For more information, visit the official I’VE Sound site: http://iveusa.net/
The official MELL site: http://www.myspace.com/mellusa
Otakon 2009 will be held July 17-19 at the Baltimore Convention Center in Baltimore, Maryland.

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