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Archive for the ‘rock’ Category

[live report] A Message of Hope from LUNA SEA to the Brave

Tuesday, December 6th, 2011 by Sarah

While I was more than ecstatic when I heard I would be covering LUNA SEA’s charity live on October 22, something made me feel a little bit awkward. As my live report of their two shows from December 2010 can attest, I am a big, sappy fan of this band. No other artist can create such an awe-inspiring aura of pure emotion while making it seem so effortless and natural. LUNA SEA’s recorded albums alone are excellent tear fuel. Combine that with the fact that the October show was dedicated to raising money for victims of the Great East Japan Earthquake, and I was prepared to shamelessly weep like my tears could solve all the world’s problems.

But that didn’t happen. That’s not to say LUNA SEA didn’t move me. It’s just that this time, they moved me in a different direction.

Instead of thumbing through their vast discography of melodramatic material, LUNA SEA chose a different path: upbeat, high-energy numbers with a few splashes of tears. Because, after all, what is a LUNA SEA show without a few wet cheeks?

Placing songs like “DEJA VU,” “True Blue” and “G” at the top of the show was a smart move. They could have easily gone the sappy route with something more somber, but that would be too obvious and most likely would have dragged the whole concert down. Perhaps the band realized that their audience didn’t want to be beaten over the head with more bad news. Instead, LUNA SEA got the audience out of their seats, jumping, cheering, and – dare I say it – having fun.

After the last reverberations of “G” faded away, vocalist Ryuichi Kawamura asked the crowd to bow their heads in a moment of silence. Twenty thousand voices went quiet, and Saitama Super Arena became perfectly still. Not a cough, not a pin drop, not even the sound of my own heartbeat reached my ears. It was a respectful, tasteful minute where all thoughts went to the tens of thousands of people who perished in and the hundreds of thousands more directly affected by the earthquake and the tsunami that followed.

LUNA SEA’s newest song, “PROMISE,” soon followed. Dedicated to the victims of the quake, this song follows the anti-melancholia M.O of the evening by being uplifting and inspiring. LUNA SEA has taken an event that is frankly horrifying and depressing, and made it feel real without looking at the pessimistic outcomes that plague the daily newspapers. As the simple, modest lighting flashed behind Kawamura, he sang of light in the darkness, and meeting loved ones again. Is it cliché? Maybe a little, but find me a face in that audience that wasn’t beaming with hope.

A few other numbers continued the hopeful theme, with “Ra-se-n” and its powerfully rhythmic melody, followed by the ethereally beautiful violin in “Providence”. These felt different from the last time I saw the band live. Maybe it was the fact that they were performed soon after the moment of silence, but this time they conjured images of people losing so much. However terrible their lives seem at the moment they will regain their strength through the love of those around them. In the end, they’ll persevere.

But the majority of the show was decidedly more fun than you might expect from LUNA SEA. While Shinya’s drum solo was probably a bit simplistic, his enormous smile displayed on the screens beside the stage was contagious. While bassist J dueled with Shinya, I could almost feel the atmosphere in the arena change. Leave it to Shinya to set the mood back to giddy.

What followed was the usual set of “Desire,” “Rosier,” and the like. Not that anyone was complaining.  The concert soon turned into a giant LUNA SEA sing-along. I didn’t expect any dusty old, rarely played numbers from yesteryear, but it would have been interesting to hear something they rarely play live, if only to shake it up a bit.

The show was named Great East Japan Earthquake Relief Charity Live LUNA SEA FOR JAPAN A Promise to The Brave. In that lofty title, the key word here is most certainly – brave. It’s OK to cry, but is that what those who passed want us to do? Absolutely not. LUNA SEA wisely created a set that was simple, yet full of life and courage.

Official LUNA SEA website – http://www.lunasea.jp/

[live report] Creature Creature– The Anti-Mood Stabilizer

Monday, December 5th, 2011 by Sarah

I’m a very moody person. Make a lame joke and I’ll be giggling in an instant. Say one off-color comment and I’ll explode in your face. Mention dead puppies and I’ll start bawling. Maybe that’s why a band like Creature Creature, that changes emotions on a dime, is just right for me.

Look at any promo shot of the band and you might think they’re brooding, with their dark outfits and vocalist Morrie’s intense, Bella Lugosi-esquestare. But seeing them live on September 19, 2011 at Harajuku Astro Hall as part of their Exorcising Orpheus Tour, anyone can discover that their music is much more than the doom and gloom their visuals suggest.

In a venue that holds only a few hundred people and doesn’t allow for big splashy visual effects, the focus really does fall on the music’s ability to sway the collective audience emotion one way or the other.Astro Hall is small with a tight, compact stage. With the five members of Creature Creature standing up there, it all looked a bit cramped. That being said, once the show started, you would think the band was playing with the emotions of 400,000 instead of 400.

The band came out to an ambient instrumental before exploding into “Dream Caller.” Hitoki’s bass reverberated off the back wall, pounding like an overburdened heart while Sakura’s drums stomped angrilyat the audience’s feet. In the meantime, guitarists Shinobu and Hiro tickled their strings with precision and skill. Individually, the instruments seemed perfectly sane. But put them together and the melancholy sound was punctuated with an exuberant guitar riff, a rage-filled tune was somehow level-headed and, in the end, calm.

None of this seemed logical, but it did feel entirely deliberate. Morrie is a master of an omniscient, baritone vibrato that possesses a powerful poison.The audience almost seemed inebriated, their emotions completely out of their own control.At one point, Morrie slowly swooped his hand above them, and about a hundred heads and pairs of hands followed. From above, it looked like an illusionist magically opening a velvet curtain without so much as breathing on it.

Songs like “Hien” and “Cosmos Blackness” have bursts of rage and sorrow, throwing each piece of music into different, chaotic directions. But they all eventually come back to some central mood, showing a rare level of maturity that is rational and dangerous at the same time. It’s an explosion, but a controlled explosion that burns with precision.

As the audience begged for a third encore (and was pleasantly and unexpectedly obliged with one), I realized that even after seeing some of these songs performed live three or four times, I felt acutely different with each listen. The first time I heard “Paradise,” I interpreted it as a by-the-book rock number. This time around there was sort of forlorn frustration, like the thing I wanted most was just out of reach. Even within my own person, the complexity of Creature Creature’s emotional control is a unique experience every time. I write a lot about such base emotions as sad and mad, but the band incites something even more profound: excitement and wonder.

Official Creature Creature website – http://www.creature-creature.com/
Photos are © Creature Creature

[live report] I Love the 80s…Still

Monday, October 31st, 2011 by Sarah

There was a time when a man’s worth was measured by the overall space his hair occupied in the universe. They called it the ’80s, for some reason or another. The music was loud, the women kicked ass, and Aqua Net became the singular cause for global warming.

Like some of you, I was far too young and my hair far too flat to fully enjoy this period. But there are some ways we can relive the era we never really lived through in the first place. Omega Dripp, a young up-and-coming band with looks not too far off from Motley Crüe, sponsored a hair and glam revival at Shibuya WWW in Tokyo for Omega Dripp Presents Glamourous Boogie Night vol. 6 –CHARGEEEEEE- … Birthday Party on October 11. This show featured mummy-kei band bulb, zebra skin-clad Közi, and no-clever-tag-line-needed legendary Megadeth guitarist Marty Friedman, each backed up on drums by the birthday boy himself, Charge from Omega Dripp.

Bulb featured that rare bird in the visual scene: a female vocalist. Dressed in white rags, she squealed and waved her arms, looking more like a kitten lost in a pile of laundry than the scary mummy chic they might have been going for. The music itself was fun, even diving into the deep and meaningful end of the music spectrum with some of their slower songs.

Former Malice Mizer guitarist Közi performed next, bringing his brand of industrial while wearing a zebra-print muumuu. (My aunt may have had a rug that looked exactly like it in 1988, but I’ll have to search the family photo albums for evidence.) Looks aside, Közi presented a set that was somewhere between a head-bang and a pop dance move; the guitars ground away while a synthesized beat kept some semblance of sanity to the otherwise incomprehensible melody. The music was all over the place, but that only made it all the more interesting.

Headliners/hosts Omega Dripp were up next, kabuki makeup from hell and all. While the looks were all reminiscent of a bygone era, the music was actually quite with the times. Sure, the guitar riffs could easily have fit in a hair metal album, but the tone went more with today’s visual kei bands. The vocals from the wilted mohawk-sporting Keita are nasal, with the occasional scream-bark we’ve all come to know and love, but the focus is still on how catchy the melody is. Visual kei fans will eat these young men up, and at the same time, old school hair metal heads will appreciate the homage to their fallen heroes.

Being a young band, Omega Dripp could use a mentor to show them how this metal thing was done back in the day. And who better to look up to than master guitarist Marty Friedman? OK, I realize Friedman was with Megadeth in the 1990s, but play along here. Friedman has become somewhat of an adopted uncle in the Japanese rock scene, collaborating with everyone from Luna Sea to Nana Kitade.

As wondrously retro as the other acts that night were, none of them could compare to the musicianship at Friedman’s fingertips. While technically astounding, it’s obvious that Friedman simply possess the natural gift to rock out. He poured every ounce of his talent into both the most grandiose guitar licks, and the most minute and seemingly unimportant details. The venue was small and the audience consisted mostly of young girls who probably weren’t quite sure who he was, but none of that mattered. With a grin on his face and the occasional joke in English (while tuning his guitar: “I bought this in tune!”), Friedman took that concert to a whole new level.

Omega Dripp appeared for one last encore while Charge attempted to body surf, and the show came to a joyous yet exhausted conclusion. I can see why the ’80s ended. All that noise, makeup, and hairspray must have driven some rockers to drugs just to escape all the chaos. But in occasional doses, we can still milk the ’80s aesthetic for just a little bit longer.

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Photo Credit:  Koichi Oshima, Kayo, Jamie
Official Omega Dripp website – http://1sh.jp/?id=omegadripp
Official Marty Friedman website – http://www.martyfriedman.com/
Official Közi website – http://www.kozi-info.com/

[review] THE LAST DAYBREAK by exist†trace

Friday, October 28th, 2011 by Jen Wang

THE LAST DAYBREAK opens with a primal call from Jyou, but instead of singing in her trademark growling alto, she keeps her voice light and clear in “Daybreak ~Jyusan gatsu no shikisai.”  Unexpected moves like these are the highlight of exist†trace’s new album.  Guitarists Miko and Omi still grind out heavy riffs that complement Naoto’s rumbling bass, but over them they layer soaring melodies and hazy reverb.

“Little Mary to Utsukushiki Nikushimi no Danube”  shows off the band’s whimsical side with a synthesized waltz and Miko’s girlish voice in the intro.  Mally continues a three-count beat while Jyou and Miko provide a conversation between experience versus youth.  The fairy tale does not end happily, however, as the guitars and violin plunge the song into a dissonant nightmare.  Exist†trace unveil their vulnerable side in “Kimi no masshiro na hane.”   Omi’s guitar cries along with Jyou, who is not afraid to let her voice tremble in the last few notes.  It is a quiet but potent end to THE LAST DAYBREAK.

The album title indicates a beginning of an end, but on the cover, the band members are firmly rooted in their determined poses.  With an upcoming U.S. tour and a new album that shows off their growth as songwriters, it is safe to say that exist†trace are not close to being finished.

exist†trace Official Websitehttp://www.exist-trace.com/
exist†trace on JapanFileshttp://www.japanfiles.com/existtrace.html

[interview] BORN to Rock Nekocon 2011

Monday, October 24th, 2011 by Kathy Chee

Almost three years after they first performed at Onicon in Texas, BORN is back in North America for Virginia’s Nekocon. With a new single, “Psycho Diva,” BORN continues to mix up pop choruses with thrashy metal riffs and growling counter vocals. Nekocon 2011 will take place on November 4th-6th at the Hampton Roads Convention Center in Hampton, Virginia.

pSKY: It’s been two years since you last performed in America, how have you grown since then?

RYOGA: Our music has gained more depth and our live performances are significantly crazier than two years ago.
K: Each member has a definitive role in the band now.
Ray: A single mind.
KIFUMI: The atmosphere surrounding us is stronger.
TOMO: We are more closely united.

pSKY: You just released an album in June and a new single in September. Are you working on a new album already? Can you give us some insight on what we can expect from a new album?

RYOGA: Yes, we’re working on a new album already. It will be BORN`s hard music, more evolved from the last one.
K: you can expect a keen music sense of BORN. Ray: It is hard to explain in the words. You’ll just have to listen and feel.
KIFUMI: Don`t think, just listen to my bass.
TOMO: Our range will be wider.

pSKY: When do you have time to relax? What do you do with your free time (if you have any free time at all)?

RYOGA: I sleep or go out for a walk.
K: I watch movies.
Ray: Shopping!
KIFUMI: I go out and look for excitement.
TOMO: Watch movies.

pSKY: What’s your favorite alcoholic beverage?

RYOGA: Plum liquor or beer.
K: Shochu.
Ray: Beer.
KIFUMI: Cocktail.
TOMO: Red wine.

pSKY: You’re performing at an anime convention. How do you think your music ties into anime?

RYOGA: I think there is a great similarity between the fantastic world that animation creates and the unreal world which visual kei lives in.
K: The gorgeous look and style.
Ray: They both have created their own world.
KIFUMI: The amazing characteristics an anime character has can be similar to what a band player has to create on stage and in the music.
TOMO: Both have a story.

PSKY: Do you have a favorite anime/manga?

RYOGA: DRAGONBALL
K: SLAM DUNK.
Ray: SAINT SEIYA (聖闘士星矢).
KIFUMI: YU YU HAKUSHO (幽遊白書).
TOMO: ONE PIECE.

pSKY: You’ll be sharing a stage with some big name acts at V-rock Festival 2011. Have you performed at festivals before? Do you hang around to listen to the other acts? If yes, who are you most perform?

RYOGA: We’ve never performed for a stage like V-rock Festival before. I listen to other artists. I’m excited to see ALI PROJECT.
K: Yes, I’m excited to see SOPHIA.
Ray: I’m excited to see MUCC.
KIFUMI: BLACK VEIL BRIDES.
TOMO: I’m excited to see YELLOW FRIED CHICKENz.

PSKY: Who are some of your musical influences?

RYOGA: Marilyn Manson, Rammstein.
K: LUNA SEA, Guns N’ Roses.
Ray: LUNA SEA, BUCK-TICK.
KIFUMI: L’Arc~en~Ciel.
TOMO: LUNA SEA, Nirvana, Slipknot, and Marilyn Manson.

PSKY: What can fans expect from your upcoming performance? Will you be performing your new single, “Psycho Diva?”

RYOGA: You can expect BORN to give the most aggressive performance of any band from Japan. Whether we’ll perform “Psycho Diva”, I don`t know. You’ll have to come and see.
K: Our performance will be powerful.
Ray: We will show you our performance, it`s one and only.
KIFUMI: Come see BORN at the venue!
TOMO: Come experience our US performance.

pSKY: Do you have any pre-performance rituals?

RYOGA: We become fussy and make noise.
K: I breathe deeply and put spirit into myself.
Ray: I go off alone and listen to music.
KIFUMI: we tease each other.
TOMO: I just smoke cigarettes.

pSKY: Leave a message for your fans.

RYOGA: This time we’re coming to see you, so next time you come to Japan for us too!
K: Listen to our CD and enjoy the LIVE performance.
Ray: I want to keep exceeding fan expectations.
KIFUMI: I love you!
TOMO: Please keep your eye on BORN.

Nekocon Website – http://www.nekocon.com/
Tainted Reality Website – http://www.taintedreality.net/
Official BORN Website – http://www.indie-psc.com/born/

[photo] The Pillows @ Gramercy Theater

Wednesday, October 12th, 2011 by Kathy Chee
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Setlist
I Think I Can
Mr. Droopy
Carnival Blues
Drive Monster
Rookie Jet
Instant Music
Comic Sonic
Funny Bunny
Swanky Street
Crazy Sunshine
One Life
Little Busters
Hybrid Rainbow
After the Rain
Advice

ENCORE
Ride On a Shooting Star
Last Dinosaur

[live report] L’Arc-en-Ciel Makes “XXX”

Monday, September 19th, 2011 by Sarah

Being an enormously popular band has its perks. For one, you can afford the massive screens, pyrotechnics, and an 18-piece string ensemble necessary for your epic cinematic live performances. For another, you may be able to single-handedly take back a sequence of letters that is synonymous with the porn industry.

While I don’t think the latter is exactly their goal, L’Arc-en-Ciel is back with their 20th L’Anniversary Tour and new single “XXX” (pronounced “kiss kiss kiss” for those of you who want to keep at least one foot out of the gutter). The band brought their fans a visually and orally (tee hee) stimulating experience on September 11, 2011 in Saitama. Sure the set list had a deja-vu moment or two from their L’Anniversary shows in May, but let’s consider this the preview for their world tour coming up in 2012.

The differences in this performance were slight, but subtly profound in their execution. Hyde’s a capella voice opened the show, clear and simple as he sang the first verse of “Farewell.” Then the backlights went up to reveal a string ensemble sitting on what looked like a former set from Clash of the Titans. They stayed on stage for the next few songs, even in numbers that didn’t feature live strings in the recorded versions. Probably more than any other type instrument, the strings have the uncanny ability to cause the audience to change emotions on a dime. The melody for “My Heart Draws a Dream” is effective on its own, but add the live violin family and you have a tear-jerker on your hands. Though the electric instruments drowned them out slightly for much of their performance, the former orchestra geek in me still tingled with excitement.

Another sonically stimulating aspect for the fans who have seen L’Arc-en-Ciel more times than they’ve seen their own parents were the minute changes in instrumentations of certain songs. You can’t blame guitarist ken for wanting to change up the riffs in “STAY AWAY,”which the band, by my count, has played half a billion times live.

But when a band like L’Arc-en-Ciel plays in a huge stadium like Saitama Super Arena, sound can’t be the only thing that carries the show. Projected behind the band on a massive screen were some of the most vibrant effects this side of the Wachowski Brothers. They ranged from a Technicolor portal, reminiscent of Doctor Who’s opening sequence, to a somber digital forest punctuated by red lightning, to a speedometer revving up to an ungodly speed that only a Vin Diesel blockbuster could portray. The entire experience was cinematic yet artsy at the same time, almost like a high-definition indie film with a killer score.

And that brings us to the skin flick that is “XXX.” The song itself is sharp and edgy, much like some of L’Arc-en-Ciel’s work from the earlier half of the last decade. The video displayed while they performed the song live was sharp and, well let’s just say, boney. Deep in a lounge version of the Garden of Eden, L’Arc-en-Ciel is lost in a forest of lanky model limbs. The girls writhe with anticipation or perhaps hunger, seductively glaring into the camera while passing around a golden apple. A yellow snake slithers onto the scene to grace a few flat-bottoms. The whole experience felt like a skinemax movie you’d accidentally flip to with your parents in the room, making you feel dirty and ashamed.

But it’s good to titillate fans every once in a while, especially when a band does it in more ways than one. Expecting L’Arc-en-Ciel to deliver in the music department is a no-brainer, but when there are a few audio-visual perks, their shows become exceptional. These are the aspects that will translate best to overseas audiences who may not understand Japanese and only know L’Arc-en-Ciel as that one band that’s done a ton of anime songs. Let’s just hope no one expects to see some real XXX.

Official L’arc-en-Ciel website – http://www.larc-en-ciel.com/
L’arc-en-Ciel World Tour mailing list – http://www.larc-en-ciel.com/en/information/20th/

photo credit: KAZUKO TANAKA, HIDEAKI IMAMOTO, TOSHIKAZU OGRUMA

[press release] exist†trace to Perform at Tekkoshocon 2012

Tuesday, September 6th, 2011 by Kathy Chee

September 5, 2011 – Japanese all-female visual kei rock band exist†tracewill return to America for Japanese culture and anime event Tekkoshocon 2012. The band will perform a live concert and attend autograph and Q&A sessions for fans during Tekkoshocon’s four-day event in Pittsburgh, PA from March 22 – 25, 2012.

Tekkoshocon information and pre-registration at: http://www.tekkoshocon.com

exist†trace PROFILE

exist†trace is one of Japan’s first all-female Visual Kei rock bands. Formed in 2003, the members of exist†trace are Jyou (vocals), Miko (guitar), Mally (drums), Naoto (bass), Omi (guitar).

Along with multiple tours of Japan , exist†trace has performed twice in Europe, making appearances in Berlin, Helsinki, Moscow, Paris, London, and Barcelona. In 2009, the band *performed at the 2-day V-ROCK FESTIVAL in Chiba, Japan. In November 2010, exist*†*trace released their album “TWIN GATE” in Japan, followed by an American release from JapanFiles. In June, 2011, they made their major-label debut with the “TRUE” EP on Tokuma Japan.*

* *

exist†trace appears at Tekkoshocon by arrangement with JapanFiles and Monsters, Inc.

exist†trace official website -  http://www.exist-trace.com
exist†trace on JapanFiles –  http://www.japanfiles.com/existtrace

[press release] L’Arc~en~Ciel World Tour Email Registration

Monday, August 29th, 2011 by Kathy Chee

L’Arc~en~Ciel Email Registration for the World Tour 2012 Starts

TOKYO, JAPAN – L’Arc~en~Ciel is announced to go on a world tour including New York, London, Paris, Shanghai, Taipei, Hong Kong, Bangkok in 2012 (tour dates T.B.D.) and in the meantime, email registration will start on their website for the fans all over the world.

What is email registration?

The fans who register will be able to receive the band’s world tour ticket sales information by email before anyone else. Registration is very easy, choose country of residence and enter email address.

It will start from August 26 on the following website - http://www.larc-en-ciel.com/en/information/20th/

This is a great way to reach information to reserve your ticket. Don’t miss it.

L’Arc~en~Ciel

If you hear their unique melodies and edgy sounds even once, you will be captivated. hyde (Vocal), ken (Guitar), tetsuya (Bass), and yukihiro (Drum) make up the band called L’Arc-en-Ciel, formed in 1991. It continues to mesmerize the music scene not only in Japan, but throughout the world.

Ever since their debut, it’s seemed like the band has reserved a spot on the sales charts, because whatever year it is, they’ve got a hit song to match the times. In 1999, the band had the unprecedented idea to release the albums “ark” and “ray” simultaneously, and the group saw sales of over 4 million units in Japan alone.

In 2011, the band celebrated their 20th anniversary with the two-night show “20th L’Anniversary LIVE” at Tokyo’s Ajinomoto Stadium to 100,000 fans. The following “20th L’Anniversary TOUR” will continue into 2012, becoming a world tour of Hong Kong, Shanghai, Taipei, Bangkok, New York, London, and Paris, before concluding back in Tokyo.

L’Arc~en~Ciel Official Facebook:

http://www.facebook.com/pages/LArc-en-Ciel/139185632806476

[press release] NAP UTATANE Tour 2011

Wednesday, August 17th, 2011 by Kathy Chee

Sept. 5th, (mon) El Rey Theatre
doors 8:00pm / adv$20 / all ages
Tickets - http://www.theelrey.com/

Sept. 7th, (wed) San Francisco at Slim’s
doors 7:00pm / start 8:00pm / adv$23 / all ages
Tickets - http://www.slims-sf.com/

Sept. 9th, (fri) Seattle at El Corazón
doors 8:00pm / adv$20 / all ages
Tickets - http://www.elcorazonseattle.com/

Sept. 11th, (sun) New York at Blender Theatre
doors 7:00pm / adv$25 / all ages
Tickets – Click here

Sept. 13th. (tue) Austin at SPEAKEASY
doors 6:00pm / adv$20
Tickets – http://www.speakeasyaustin.com/

The Pillows Official Website – http://www.pillows.jp/

The Noodles Official Website – http://noodles.velvet.jp/

All Ages Official Website – http://iloveallages.com/

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