purple SKY - A Japanese Music Collaboraitve

[review] By My Side – Hemenway

January 26th, 2012 by Kathy Chee

“By My Side” starts out as a very generic pop-rock song.   While it’s catchy,  you kinda cruise through the first 2 minutes of the new NARUTO Shippuden end theme by Hemenway.  But there’s a little hint of something great in the chorus, a sweet falsetto at the end.  And then you get to the end and fall into a whole lot of awesome; a 30 second high signaled by cymbals crashing  and Isaac’s lovely falsetto on refrain.

There’s surprising range on the other two tracks, “Dust” and “Dear Junior,” including a deeper vocal tone that is completely missing from “By My Side.”  The intro to “Dear Junior” is funky and cool.  That plodding word-pause-word-pause bit may be hokey at first, but it gets better.  The guitar bits come alive in contrast and there’s even a shreddy guitar solo, some dueling, and counterpoint going on.

Hemenway could be more than just another street in Boston.  There’s great songwriting potential, a good vocalist and some interesting genre mixing.   And don’t skip the instrumental version of “By My Side,” because that guitar really does fly.

Official Hemenway website – http://www.hemenway.jp/

[press release] ASIAN KUNG-FU GENERATION Greatest Hits Album

January 25th, 2012 by Kathy Chee

ASIAN KUNG-FU GENERATION will be releasing their very first greatest hits album consisting 17 songs from their 6 full albums and 2 mini albums, added with their brand new song “Marching Band”.

Concurrently with the Japan release, the album is now available in the US through iTunes and Amazon.

Not only in Japan, ASIAN KUNG-FU GENERATION has gained international popularity through features on various animation films including:

“Far and Beyond” (track 1) – opening theme song to NARUTO
“Rewrite” (track 5) – opening theme song to Fullmetal Alchemist
“A Town in Blue” (track 10) – theme song to Taiyo Matsumoto’s animation film Tekkon Kinkreet
“After Dark” (track 11) – opening theme to BLEACH

ASIAN KUNG-FU GENERATION – BEST HIT AKG

Now available on iTunes and Amazon
1. Far and Beyond
2. Piece of the Future
3. Understand
4. A Flower Named You
5. Rewrite
6. To Your Town
7. Loop & Loop
8. Black Out
9. Blue Train
10. A Town in Blue
11. After Dark
12. Rock’n Roll, Morning Light Falls On You
13. Mustang
14. Fujisawa Loser
15. Love songs of new century
16. Soranin
17. Marching Band

ASIAN KUNG-FU GENERATION Official website – http://www.asiankung-fu.com/eng/

[review] Sun Burns Down – Jin Akanishi

January 23rd, 2012 by Kathy Chee

Jin Akanishi is hitting his stride with a fabulous new single, “Sun Burns Down.”  It’s upbeat techno-pop ala Kaskade, the lyrics hinting at some sexy time, but never wandering outside of radio-pop friendly.  The driving chorus, where Jin urges his listeners to “make love until the sun burns down,” is  fist-pumpingly catchy.  The simple beats and neatly layered mixing is a good counterpoint to Jin’s clean, emotional singing style.

Jin’s JAPONICANA tour starts March 9, 2012 in Los Angeles and we’re hoping for more dance-tune goodness from the former pop-idol.

Official Jin Akanishi USA website – http://jinakanishiusa.com/home/

[press release] Hemenway to Release NARUTO Ending Theme Song on Jan 24, 2012

January 19th, 2012 by Kathy Chee

Making a meteoric major debut in November 2011, 4-piece band Hemenway’s new song has been chosen as the new ending theme to TV animation series NARUTO Shippuden.

This latest single “By My Side” will be digitally released in the US on January 24, 2012 through iTunes and Amazon.

By My Side
Ending theme song to NARUTO Shippuden

January 24 (Tue) Release via iTunes & Amazon

1. By My Side

2. Dust

3. Dear Junior

4. By My Side (Flying Guitar Ver.)

A new sensation who surpasses nations and generations, “Hemenway” enters the scene this autumn with their captivating melodies.

The four members first met while attending the Berklee College of Music in Boston, Massachusetts.

After their graduation in 2008, the two Korean-Americans, Isaac and Charm formed a songwriting team as they went back to their homes in LA. Growing up with great influences from Japanese music and culture, Isaac and Charm were determined to pursue their music careers in Japan.

Finally, in summer of 2010, the two set their foot in the land of their dreams. As classmates Toshi and Ogaching reunite in Japan and start a band, “Hemenway” begins to pave their way in the music industry.

The band made its major debut on November 2, 2011 with single “Listen”.

Hemenway Official website – http://www.hemenway.jp/

[live report] ViViD – When Good Looks Come in Handy

January 13th, 2012 by Sarah

Some bands have the skills. Some bands have the attitude. Some bands have the drive. Other bands are just plain nice to look at.

I’m not saying a band like ViViD doesn’t have the talent or enthusiasm to make a great concert. I am saying, however, that in front of the steady vocals and melodic metal guitar solos, there’s a band that caused thousands of hormonal teenage girls and boys, in Tokyo’s Nippon Budoukan on January 7, to nearly hurl themselves at the stage with dangerously manicured grabby hands.

When I first saw ViViD in May of last year, I compared their stage presence to that of Elvis: white suits, smoldering glances, and herds of girls transforming into jelly at the wiggle of a hip. Things haven’t changed much in that department, though the venue showed them in a whole different light. Budoukan is something of a milestone for most bands,considering it hostedsome of the most prominent acts from Japan and abroad. Between songs, the band repeatedly mentioned how honored and bewildered they were to be performing there. There were even some beleaguered tears.

But words and stage-crying are cheap. Did their reverence for the spirits of bands that once stood in the very spot they were blubbering in reflect in their music?

On one hand, yes, ViViD did Budoukan justice. My biggest complaint about them last time was how easily the band seemed to tire. This time around, guitarists Ryouga and Reno kept the energy up, giving us a few tight but not overly complicated guitar solos. “Natsu Hana” even brought out the acoustic guitar souls in them, showing off a sweet and simple side to the band. On drums, Ko-ki did something far more experienced men and women have shied away from: a drum solo. Just like the guitars, it wasn’t too busy or distracting from the rest of the set; it was modest and got the crowd up and cheering after two somber songs.

Now the not-so-good bits. While Shin lasted a bit longer this time, he still seemed to lose his spark about halfway through the set. Clear and controlled at the beginning, his voice felt strained by the encore. It didn’t help that there were a few things working against him on top of that. Many of the tunes felt over-produced with excessive synthesizers, sometimes pushing Shin’s voice into the background. The acoustics in Budoukan are also a bit inconsistent with the vocals bouncing off the back wall and hitting my ears a couple milliseconds late. I’m not sure if that was just from where I was sitting, but it was distracting at times.

Still, I want to give ViViDthe benefit of the doubt. They’re a young band that only just got together in 2009, and Budoukan is not an easy prom queen to woo. But this is a band that forces even the most cynical snarker (me) to forget all her misgivings with a single, pearly grin. That sparkly, shiny, over-produced-but-who-carescharisma makes me want to forget their shortcomings, go back in time to when I was in high school, paste pictures of each member on the inside of my locker, and join the rest of the screaming masses of furitsukeing-fangirls.

ViViD Official website – http://www.pscompany.co.jp/vivid/

[interview] Nenna Yvonne – More Than a Human Vocaloid

January 6th, 2012 by Sarah

Place all your My Little Ponies, Lisa Frank stationary, and Barbie shoes in a blender, add a dash of MikuHatsune the vocaloid, and puree. What do you get? Something only half as cute and colorful as Nenna Yvonne, the Nigerian-American singer-songwriter who came to Tokyo in October for an uber-trendy performance. Donning a wig that would make Marie Antoinette flush with jealousy, Nenna sat down with me after her brief but bouncy live. Just the typical girl talk: clothes, hair, and how it was impertinent to get up early on Saturday mornings for a dose of Sailor Moon when we were kids.

pSKY: How did you get into this kind of style of fashion and music?

Nenna Yvonne: Well, I grew up pretty much admiring a lot of anime cosplay artists. And I also kind of was into anime characters in general. Like Sailor Moon. I was watching that from when I was very little. So that was the thing to do after school and on weekends. My brother would sketch out the characters for me. He’s kind of a visual artist and I’m a musician, so it kind of runs in the family in a way. I took a lot of Japanese influence as far as music and culture and just fashion sense, and I combine it with kind of American, kind of urban style, just in the music side of it. For the image side of it, I wanted it to be completely kawaii. It’s the contrast that I’m looking for. I just kind of fell in love with it.

pSKY: A lot of people seem to want to do what you do. How did you make it in the industry?

Nenna Yvonne: I think making fashion your own, you kind of have to already have it in you. People always say that no one can take something that’s already yours. So if it’s something that you have naturally, it’s something that just comes out naturally. You don’t really have to force it or explain how to do it for you. So as an artist it kind of became an image and identity for me because it’s just natural.

pSKY: Have you gotten a chance to go around Tokyo at all?

Nenna Yvonne: We went to Harajuku, we went to Kiddy Land, we went to the shrine. We went to a couple different places, more like monumental places. A lot of it has been me just kind of getting adjusted to the time difference.

pSKY: What did you think of Kiddy Land?

Nenna Yvonne: Kiddy Land is like magic land. I thought they redid the place. I heard they kind of re-structured it from what it used to look like. A lot of celebrities like Michael Jackson used to go there and collect because there are a lot of collectibles and cosplay characters. I saw the Miku character. I’ve been following vocaloid music on YouTube of all places. Vocaloids are cool though because it’s like this anime character that’s just got so much energy and personality. It’s like, wow, is this human or is it a hologram, but it’s cool because it gives you kind of a visual representation of what you want to be yourself. So I took a lot out of that place.

pSKY: Do you make or design your own clothes?

Nenna Yvonne: Some of the pieces are actually mine. It’s a whole team of people in hair and makeup that came together. We visualized it and we said, “OK this is what we’re going to do.” I added my own kind of personal style and taste to it, and it just came to life!

pSKY: Is your hair heavy?

Nenna Yvonne: Not so much, but I can feel it when I tilt my head. Dancing on stage with it, it was a little scary!

pSKY: Who is your audience for your music?

Nenna Yvonne: It’s just about putting out music that I love, and hoping that people in general will just gravitate to it and take something away from it. A lot of people throw around the words “marketing” or “niche” or “what’s your fanbase?” But the world is your fanbase. Creativity starts from who you are and nobody can come in and say, “I’m going to market you this way.” The gimmick starts and stops, but the artistry never ends. It just keeps going.

pSKY: Who are your inspirations musically?

Nenna Yvonne: Musically, I pull from everything. I would even say anime characters inspire me. Conversations with friends and family inspire me. I write all my own music, so I really take inspiration from just about anything. Like I could be creating a piece for myself for a live show and just like, “Oh! I have a great idea for a song!” and just kind of note it on my cell phone or something. Then I go home and record the melodies and go back and kind of revise it a little bit, and then start structuring a full song. So I’ve been writing for a long time, but inspiration for me comes from characters as well as Janet Jackson, Cyndi Lauper, Michael Jackson, Grace Jones even.

pSKY: I saw that you’ve done modeling that’s not exactly the same style as your music persona.

Nenna Yvonne: My look and my fashion sense is so versatile, I really can just transform depending on the visual and just the direction of who I’m working with and who I’m collaborating with. I have a lot of photographers come up to me and say, “Hey, what do you think about dressing up in like a dominatrix crazy catsuit with heels up to here?” And I’m like, “Let’s do it!” I’m all about experimenting and having fun.

pSKY: What do your parents think of all this?

Nenna Yvonne: Right before I came on the plane to come here, my dad was the last person I spoke to and he was just so excited for me because he’s so professional and strict. My dad’s a diplomat, so he’s really stern and kind of like business-oriented. I grew up with a sense of political understanding, not just on a national level, but on an international level because we traveled a lot. So he kind of saw me doing this in the long run because he saw how much I love doing music from the time I was a little girl. He kind of saw it coming.

pSKY: Is he musical at all?

Nenna Yvonne: No, no one else in my family. I think the only person that’s into music that way is my uncle, but I’m the only one that’s pursuing it.

Official Nenna Yvonne website – http://nennayvonne.com/

[interview] YELLOW FRIED CHICKENz Won’t Forget

December 15th, 2011 by Sarah

Pop quiz: What are YELLOW FRIED CHICKENZ?

a) The Colonel’s new yet somehow original recipe.
b) Mega-triple threat GACKT’s slightly satirical project.
c) A surprisingly sensitive band that just wants to instill some charitable thoughts in their audience’s brains.

If you answered b) and c), you’re correct. When I sat down with GACKT and the gang on October 23, 2011 during V-ROCK FESTIVAL, I expected a conversation to match the  showy live performance I had seen just an hour earlier. I was wrong. After a slightly rocky start, YFC opened their hearts to talk about an experience they hope their whole audience can learn from.

pS: First of all, what’s the origin of your band name?

GACKT: We were really moved by Kentucky Fried Chicken. It appealed to us, so we thought, “Let’s give it the name YELLOW FRIED CHICKENz.” That’s it. We’re YELLOW FRIED CHICKENz.

pS: But why “yellow”? Where I come from, it kind of has a bad meaning.

Jon: Discriminatory?

pS: Right, discriminatory meaning.

GACKT: The reason for that is our confidence is yellow. It’s a sense of pride. I’m proud of us. So I can say, “We are yellow.”

pS: But what about Jon? Haha!

Jon: I don’t know! I’m kind of an egg. Just my outside is white. I don’t know if that’s accurate.

GACKT: What I meant about the band name is we started this project as my solo last year. I found new ideas in this style, so I tried to make a new band. I called Jon and Shinya, U-zo. We started this band to make a man-band.

Jon: A more manly band.

GACKT: Also we are performing for a much different audience.

Jon: Yeah, like the victims of the earthquake and tidal waves. So a big part of our mission and message is to help, but also so that people don’t forget what’s going on there, what happened there. And not just what happened, but what’s still going on there. Recently, we had the great honor to go to Sendai on our tour and before we played two days at Zepp Sendai, we went to Ground Zero. One of the places all along the coast that was just destroyed by the tidal wave. And it was just an incredible experience.  We got to meet the people there, talk with the people there, and see what the current situation was. And that’s why a big part of our message is, “It will not be forgotten.” because it’s six months after the fact, but it’s still leveled. The whole city is gone. All of it is garbage now. So for us, it was a really amazing experience. We actually went back again to a different area to see what the difference was, like is it the same, etc. You know, it’s going to take years and years and years for that area to return to any approximation of what it used to be. And it’s going to take a lot of people’s concentrated effort to make that happen. And not just locals, but everywhere in Japan. Hopefully around the world too. We’re trying to spread our message, not so much in a soap box kind of way. Read the rest of this entry »

[press release] exist†trace 2012 USA Tour – Special VIP-only Boston show added!

December 14th, 2011 by Kathy Chee

December 15, 2011 – exist†trace has added a special VIP-only show to their first American tour.

The all-female Japanese visual kei band will perform a limited-ticket 200-person VIP show on March 15, 2012 at The Middle East in Boston, MA. A special event for the first show of the tour, fans will be able to welcome exist†trace back to America and every ticket-holder will get to meet the band members after the show for personal autographs.

Tickets for the Middle East performance go on sale Dec. 20. Regular and VIP tickets for New York, Philadelphia, and Pittsburgh are on sale now.

exist†trace 2012 USA Tour Schedule

Thursday, March 15 – Boston, MA (The Middle East)

Sunday, March 18 – New York, NY (Hiro Ballroom)

Tuesday, March 20 – Philadelphia, PA (Starlight Ballroom)

Thursday – Sunday, March 22 – 25 – Pittsburgh, PA (Tekkoshocon)

Official ticket and tour information can be found here:

http://www.japanfiles.com/existtrace-america-tour-2012.html

[press release] exist†trace 2012 USA Tour – New York and Philadelphia dates announced!

December 9th, 2011 by Kathy Chee

December 8, 2011 – All-female Japanese visual kei band exist†trace announced tour dates today for their first USA East Coast appearance! exist†trace will perform their indie hits plus songs from their major-label releases “TRUE” and “THE LAST DAYBREAK.” General admission and VIP tickets go on sale December 14.

Sunday, March 18 – New York, NY @ Hiro Ballroom
Tuesday, March 20 – Philadelphia, PA @ Starlight Ballroom

Official ticket and tour information can be found here:
http://www.japanfiles.com/existtrace-america-tour-2012.html

As part of their USA tour, exist†trace will make a special appearance at Japanese culture and anime event Tekkoshocon 2012. The band will perform a live concert and attend special autograph and Q&A sessions for fans during Tekkoshocon’s four-day event in Pittsburgh, PA from March 22 – 25, 2012.

Tekkoshocon information and pre-registration at: http://www.tekkoshocon.com

exist†trace 2012 America tour is presented by JapanFiles, Monsters Inc., Tekkoshocon, and JhouseRock Entertainment.

exist trace USA Tour information:
http://www.japanfiles.com/existtrace-america-tour-2012.html

exist†trace PROFILE

exist†trace is one of Japan’s first all-female Visual Kei rock bands. Formed in 2003, the members of exist†trace are Jyou (vocals), Miko (guitar), Mally (drums), Naoto (bass), Omi (guitar).

Along with multiple tours of Japan , exist†trace has performed twice in Europe, making appearances in Berlin, Helsinki, Moscow, Paris, London, and Barcelona. In 2009, the band performed at the 2-day V-ROCK FESTIVAL in Chiba, Japan. In November 2010, exist†trace released their album “TWIN GATE” in Japan, followed by an American release from JapanFiles. In June, 2011, they made their major-label debut with the “TRUE” EP on Tokuma Japan, and released a second 5-song EP “THE LAST DAYBREAK” in October 2011.

LINKS!

exist†trace official website: http://www.exist-trace.com

exist†trace on JapanFiles: http://www.japanfiles.com/existtrace.html

[live report] A Message of Hope from LUNA SEA to the Brave

December 6th, 2011 by Sarah

While I was more than ecstatic when I heard I would be covering LUNA SEA’s charity live on October 22, something made me feel a little bit awkward. As my live report of their two shows from December 2010 can attest, I am a big, sappy fan of this band. No other artist can create such an awe-inspiring aura of pure emotion while making it seem so effortless and natural. LUNA SEA’s recorded albums alone are excellent tear fuel. Combine that with the fact that the October show was dedicated to raising money for victims of the Great East Japan Earthquake, and I was prepared to shamelessly weep like my tears could solve all the world’s problems.

But that didn’t happen. That’s not to say LUNA SEA didn’t move me. It’s just that this time, they moved me in a different direction.

Instead of thumbing through their vast discography of melodramatic material, LUNA SEA chose a different path: upbeat, high-energy numbers with a few splashes of tears. Because, after all, what is a LUNA SEA show without a few wet cheeks?

Placing songs like “DEJA VU,” “True Blue” and “G” at the top of the show was a smart move. They could have easily gone the sappy route with something more somber, but that would be too obvious and most likely would have dragged the whole concert down. Perhaps the band realized that their audience didn’t want to be beaten over the head with more bad news. Instead, LUNA SEA got the audience out of their seats, jumping, cheering, and – dare I say it – having fun.

After the last reverberations of “G” faded away, vocalist Ryuichi Kawamura asked the crowd to bow their heads in a moment of silence. Twenty thousand voices went quiet, and Saitama Super Arena became perfectly still. Not a cough, not a pin drop, not even the sound of my own heartbeat reached my ears. It was a respectful, tasteful minute where all thoughts went to the tens of thousands of people who perished in and the hundreds of thousands more directly affected by the earthquake and the tsunami that followed.

LUNA SEA’s newest song, “PROMISE,” soon followed. Dedicated to the victims of the quake, this song follows the anti-melancholia M.O of the evening by being uplifting and inspiring. LUNA SEA has taken an event that is frankly horrifying and depressing, and made it feel real without looking at the pessimistic outcomes that plague the daily newspapers. As the simple, modest lighting flashed behind Kawamura, he sang of light in the darkness, and meeting loved ones again. Is it cliché? Maybe a little, but find me a face in that audience that wasn’t beaming with hope.

A few other numbers continued the hopeful theme, with “Ra-se-n” and its powerfully rhythmic melody, followed by the ethereally beautiful violin in “Providence”. These felt different from the last time I saw the band live. Maybe it was the fact that they were performed soon after the moment of silence, but this time they conjured images of people losing so much. However terrible their lives seem at the moment they will regain their strength through the love of those around them. In the end, they’ll persevere.

But the majority of the show was decidedly more fun than you might expect from LUNA SEA. While Shinya’s drum solo was probably a bit simplistic, his enormous smile displayed on the screens beside the stage was contagious. While bassist J dueled with Shinya, I could almost feel the atmosphere in the arena change. Leave it to Shinya to set the mood back to giddy.

What followed was the usual set of “Desire,” “Rosier,” and the like. Not that anyone was complaining.  The concert soon turned into a giant LUNA SEA sing-along. I didn’t expect any dusty old, rarely played numbers from yesteryear, but it would have been interesting to hear something they rarely play live, if only to shake it up a bit.

The show was named Great East Japan Earthquake Relief Charity Live LUNA SEA FOR JAPAN A Promise to The Brave. In that lofty title, the key word here is most certainly – brave. It’s OK to cry, but is that what those who passed want us to do? Absolutely not. LUNA SEA wisely created a set that was simple, yet full of life and courage.

Official LUNA SEA website – http://www.lunasea.jp/
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