purple SKY - A Japanese Music Collaboraitve

[interview] KiLLKiLLS – Punk Rock to Die For

March 8th, 2010 by Kathy Chee

Article written by David Cirone

As the former leader and guitarist of Japanese band ketchup mania, unapologetic punk-rocker DAI is no stranger to USA fans. In 2008-2009,DAI toured America with ketchup mania to perform at Sakura-Con, A-KON, SXSW, and the nationwide Japan Nite tour.

After the sudden breakup of ketchup mania in 2009, DAI formed his own label in Tokyo, SPLATTER RECORDS, and began the process of forming his first new band under the label — KiLLKiLLS, which features DAI on guitar and vocals and reunites him with ex-ketchup mania drummer WANI. He gave his first English-language interview to purple SKY about the release of their first album Allium.

L-to-R: ERY (bass), DAI (guitar/vocals), WANI (drums), KAMA (guitar)

Read the rest of this entry »

[press release] Tainted Reality presents Luzmelt In Concert At Tekkoshocon VIII

March 8th, 2010 by Kathy Chee

March 7, 2010 – Havertown, PA: Visual Kei new comers Luzmelt are set to make their US debut at Tekkoshocon VIII. Their appearance will consist of 2 full concerts, merchandise sales, autograph sessions, a Fan Q&A panel, and an internet radio Telethon with label mates Suicide Ali to air on Tainted Reality on April 8th at 8pm Eastern, 5pm Pacific live from the convention! Furthermore, for fans unable to attend the convention, if they purchase Luzmelt CD’s on the Tainted Reality Online Store during the telethon, the band members will sign them personally! Tekkoshocon VIII will take place on April 8-11 2010 at the David L. Lawrence Convention Center in Pittsburgh, Pennsylvania.

About Luzmelt:
Luzmelt is a newly formed Visual Kei band hailing from Tokyo, Japan. The band’s concept is the representation of the darkness and the light sought after by people who have lost their hearts. The band is the brainchild of frontman, Yuhma, who has been working on the music and concepts of the band for the past half decade. Their first mini-album “Swallowed Scenery”, was released in February 24th to coincide with the band’s debut. Their second mini-album “Luz-Destination”, is set to be released on March 24th, 2010, and will further explore the themes established in the first EP.

About Tekkoshocon:
Hosting conventions since 2003, Tekkoshocon, located in Pittsburgh, Pennsylvania, strives to support the community surrounding Japanese popular media and promote said media’s availability in the United States. Tekkoshocon serves as a venue for the public to celebrate and experience various areas of Japanese media and fashion as well as interests unique to the American otaku community. It is also a meeting place where industry members and professionals can conduct business and connect with the general public. Tekkoshocon VIII will be held April 8 – April 11, 2009, at the David L. Lawrence Convention Center in Pittsburgh.

Official Tainted Reality Website – http://www.taintedreality.net/
Official Luzmelt Website – http://luzmelt.com/
Luzmet Myspace Page – http://www.myspace.com/luzmelt
Official Tekkoshocon Website – www.tekkoshocon.com

[meta-jacked] The Aquarian Weekly – Utada @ Irving Plaza NYC

March 4th, 2010 by Kathy Chee

An exerpt from the Aquarian Weekly article on Utada Hikaru’s live concert at Irving Plaza NYC (written by Victoria Goldenberg).

“NEW YORK, NY—The name Utada doesn’t ring a bell in the United States, and the Japanese-American singer’s two English-language albums have sold just a few thousand copies each in North America. Yet both albums were big hits in Japan, where Utada is a multi-million selling singer-songwriter, stadium-size star and one of the most recognizable names in J-pop of the last decade.”

Read the rest of the article at The Aquarian Weekly – NJ’s Oldest Alt-Weekly.

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[press release] CHATMONCHY USA Digital Album Release & Japan Nite Tour

March 3rd, 2010 by Kathy Chee

All albums to be digitally released on March 2, from SIN (SonyMusic Independent Network)

Chatmonchy are three girls from Japan who rock. The band will be making their U.S. debut on March 19 at SXSW 2010, followed by a Japan Nite Tour with performances in New York, Los Angeles, and San Francisco (see below for details). Playing raw, energy-infused melodic rock music, Eriko (guitar and vocals), Akiko (bass), and Kumiko (drums) have been making a buzz all across Japan since their 2005 major label debut. Now, with their latest Oricon chart-topping album Kokuhaku (Confession), they’re ready to infect North American fans with their catchy take on girl-rock power. On March 2, 2010 SIN/Sony Music Independent Network will release three of the band’s full-lengths in a digital only format, including 2009’s Kokuhaku (Confession), Miminari (Ear Ringing), and Seimeiryoku (Life Force).

Chatmonchy-whose name means absolutely nothing!-burst onto the scene without any label backing in 2004, quickly catching the ear of Sony Music Japan. The next year, Sony’s Ki/oon Records released their debut EP, chatmonchy has come, and the band set off on their first nation-wide tour of Japan in 2006.

Inspiring fans with their feistiness and fire, Chatmonchy released their first full-length album, Miminari (Ear Ringing), in July of the same year. The album garnered a Top 10 spot on the national Oricon chart, and the girls were invited to perform at Japan’s most important summer festivals, including Summer Sonic, Rock In Japan Festival and the Nano-Mugen Festival.

After the success of their summer festival dates, Eriko, Akiko, and Kumiko did a national tour in the Fall of 2006, then headed back to the studio to finish Seimeiryoku (Life Force), the album they had started writing the year before. The album, released in late 2007, hit #2 on the Oricon charts, and Chatmonchy played sold-out shows all around Japan -including a two-night solo concert at the Budokan in the Spring of 2008 in front of more than 16,000 fans.

Following the first album, the rock-power girl trio released 4 singles that reached the Oricon Top 10, three that hit the Top 20, and 4 DVDs including music videos and passionate live performance footage. In addition, the single, “Dai Dai,” was featured as the theme song on the anime series, Bleach-their first step toward connecting to a worldwide audience.

The 2010 SXSW Music Conference will be Chatmonchy’s first North American live performance, and the beginning of the next important chapter for these accomplished musicians-these three girls from Japan who rock.

CONFIRMED TOUR DATES

March 19 – Austin, TX – Elysium (SXSW Japan Nite)
March 21 – New York, NY – Bowery Ballroom (Japan Nite Tour)
March 24 – Los Angeles, CA – Amoeba Music (In-store)
March 26 – San Francisco, CA – Amoeba Music (In-store)
March 26 – San Francisco, CA – The Independent (Japan Nite Tour)
March 27 – Los Angeles, CA – Viper Room (Japan Nite Tour)

Chatmonchy Official Myspace – http://www.myspace.com/chatmonchy

[press release] USA CD release of Onmyo-za’s “Kongo Kyuubi” from JapanFiles

March 1st, 2010 by Kathy Chee

Onmyouza-Kongo-Kyuubi-jacket-300JapanFiles will release the latest CD by Japanese hard rock / metal legendsOnmyo-za titled Kongo Kyuubi on March 15, 2010.

The USA CD release will include the complete 28-page Japanese booklet with photos and lyrics. Pre-orders are available at the JapanFiles CD store.

http://www.japanfiles.com/store/onmyo-za-kongo-kyuubi-usa-release.html

Kongo Kyuubi will also be available to fans worldwide from Hot Topic, Amazon.com, and RightStuf.com.

The CD includes the previously released singles “Soukoku,” Doukoku,” and “Aoki Dokugan” plus the three-part mythology-based “Kumikyoku Kyuubi” suite (called a “masterpiece” by Barks.jp). Keeping with the album’s mythology theme, the jacket art features lead vocalist Kuroneko portraying the evil, nine-tailed fox spirit Tamamo-no-mae.

ONMYO-ZA PROFILE
Members:
Matatabi (bass, vocals)
Kuroneko (vocals)
Karukan (guitar)
Maneki (guitar & chorus)

With over 10 years of history in the Japanese rock music scene, Onmyo-za’s releases have consistently placed in Oricon’s Top 20. Their 2001 Osaka live show announcing their major-label debut sold out instantly at pre-sale, and the band’s strong Japanese fan base has supported them with sold out shows across Japan, including completely sold-out Japanese tours in 2007 and 2008.

Known to metal fans worldwide for their powerful guitar & bass work, Onmyo-za’s hit song, “Koga Ninpocho,” was written for the Studio Gonzo TV anime series “Basilisk” (released in the USA by FUNimation).

Onmyo-za Official Website – http://www.onmyo-za.net/eng/index.htmlJapanFiles – http://www.japanfiles.com/onmyo-za

[live report] Polysics at Blender Theater (The Gramercy), Feb. 13

February 26th, 2010 by Victoria Goldenberg

I had never seen Polysics live before Feb. 13 but had wanted to for years. I’d heard the hyper new wave-revival band was incredible in concert and wanted to see for myself before keyboardist Kayo quits in March. The hype was valid–Polysics’s show had all the raw energy and audience interaction that makes indie rock so fun.

For one, the band knew how to work a crowd. During songs, the entire band led the crowd in aerobics routines, waves and dances. They used props effectively, such as by inflating balloons and launching them into the theater, where they zoomed around until they ran out of air. Lead guitarist-singer Hiroyuki Hayashi asked the audience about their Valentine’s Day plans and prompted audience chants, keeping to his zany Polysics character by speaking in the shriek he uses in his music. He was still spontaneous and responded to audience shout-outs.

Chemistry was also key to Polysics’s live appeal. Though their matching, Devo-style outfits conveyed uniformity, the members each brought a distinctive personality to their performance. Hayashi was wild and relentlessly energetic, while bassist Fumi played a more traditional but still charming rock ‘n’ roll star. Drummer Masashi Yano and keyboardist Kayo anchored the other two’s energy with a contrasting coolness. Kayo, most strikingly, acted like a robot. Though the music she played was positively caffeinated, she kept her movements minimal and only occasionally turned to face the audience. She even managed to make a cheerleading routine with pom-poms stoic. Polysics played off their contrasting personalities, with Hayashi walking over to Kayo and shaking spastically while she played her solos.

Polysics’s music is made for live shows. Admittedly, it’s not something I can take in large doses on CD; the combination of nonsensical lyrics, high-pitched, wailing vocals, vocoder, manic guitars and electronic beeps is something I only want to hear for a few songs at a time. But it’s perfect for a rock show—visceral, ecstatic stuff that gets you moving and smiling.

It also helps that The Gramercy is one of the best rock venues in New York City. I was there for the first time and impressed with its quality acoustics and slanted floor that guaranteed a good view of the stage no matter where you stood. It’s such a simple but ingenious design that it’s a wonder more venues don’t incorporate it.

It’s hard to imagine what Polysics shows will be like without Kayo. She provides the calm among the chaos and the mechanical balance to Hayashi and Fumi’s human energy. At least, I’m glad I got to see the classic lineup live in its last New York show.

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[press release] DEAD END Live Continues

February 22nd, 2010 by Kathy Chee

dead_end2010TOKYO, JAPAN-FEBRUARY 18, 2010-The legendary rock band, DEAD END will resume their live series of the “Four Wizards Night-Crawling” this Spring. The “Third Devour” is the third of the historic series which will take place on March 22, at Namba Hatch, Osaka.

Other bands joining the show include Gastunk, cocobat, and Pay Money To My Pain. In addition to the “Four Wizards Night-Crawling,” DEAD END will be participating in the event, “Legend of Rock May Kan” at JCB Hall on March 20.

[press release] JapanFiles to release LM.C’s “WONDERFUL WONDERHOLIC”

February 17th, 2010 by Kathy Chee

In support of LM.C’s upcoming appearance at Fanime MusicFest 2010, JapanFiles will release LM.C’s new album WONDERFUL WONDERHOLIC on March
15, 2010.

The new full-length album features the hits “GHOST HEART” and “PUNKY HEART.” The USA CD release will include the complete Japanese booklet. Pre-orders
begin today at the JapanFiles CD store.

http://www.japanfiles.com/store

WONDERFUL WONDERHOLIC will also be available at retailers including Amazon.com, RightStuf.com, and Hot Topic stores.

?? CMYK

In 2009, JapanFiles released LM.C’s two previous albums GIMMICAL IMPACT!! and Super Glitter Loud Box which also include the complete Japanese
booklets and artwork.

LM.C Official Website (English) – http://www.lovely-mocochang.com/foreign/english.php
LM.C music at JapanFiles Digital Music Store – http://www.japanfiles.com/lmc
FanimeCon – http://www.fanime.com/

[meta-jacked] Interview with Polysics at The Aquarian Weekly

February 12th, 2010 by Victoria Goldenberg

Check out Victoria’s interview with Polysics at The Aquarian Weekly, New Jersey’s oldest alt-weekly. The article is also available in print in the Feb. 10 issue, available for order here.

Polysics will play Blender Theater at The Gramercy in New York City 9 p.m. tomorrow. “Interview with Polysics: Each Era Each End” is one of the last interviews with Polysics conducted before Kayo leaves the group in March.

[press release] Traditional Japanese Musicians The Yoshida Brothers to Perform at Otakon

February 11th, 2010 by Kathy Chee

yb08Baltimore, MD (February 3, 2010) – Award-winning global sensations the Yoshida Brothers, whose music builds on traditional Japanese music, will be guests at Otakon 2010. They will perform on Friday night (exact time to be announced later), as well as signing autographs and participating on a panel.

“We’ve been trying to enhance our cultural content over the last few years,” said Jim Vowles, Otakon Guest, Industry, and Press Relations Chief. “It supports our broader educational mission, of course, but the response from our membership has been great. Since we’re kind of well known for musical acts, we’ve wanted to bring in a traditional music act for some time. We actually approached the Yoshida Brothers two years ago, but this is the first time their schedule and ours have meshed well enough to bring them. We’re very excited.”

The Yoshida Brothers were born in Noboribetsu, Hokkaido. Each picked up the shamisen at the tender age of 5, and began studying Tsugaru shamisen under Takashi Sasaki I in 1990. After sweeping prizes at national Tsugaru shamisen conventions, the brothers made their major debut in 1999. The debut album sold over 100,000 copies, an extraordinary figure for a traditional folk music release. This album was selected “Traditional Japanese Music Album Of The Year” in the 15th annual Japan Gold Disc Awards, as well as the “30th Anniversary Of Normalization Of Japan-China Diplomatic Relations Commemorative Special Prize.” In 2002, the brothers followed their success with their first national tour, “Live Soul.” performing in 30 cities. The following year, they made their U.S. debut with Yoshida Brothers from Domo Records and performed in New York and Los Angeles. An international release followed in Korea in 2004, where they performed their first concert in Seoul, in addition to a domestic tour that included 28 cities. In the meantime, they released their second U.S. album, Yoshida Brothers II, and went on a U.S. promotional tour, visiting seven cities. It was a year of significant breakthrough, through their participation in other various projects such as an international exchange event in Sweden and a TV commercial in Japan. In 2005, the brothers recorded an album in Los Angeles, followed by a West Coast tour and a concert in Hawaii. In 2006, they toured the U.S., Spain, and Hong Kong. In Hong Kong they released their very first greatest hits album and marked favorable sales. Domestically, they launched a shamisen-only national tour. And in 2007, their music created buzz in the U.S. as their music was used in the TV commercial for Nintendo’s Wii. At the end of that year, the brothers recorded another much-anticipated album in the U.S., which is yet to be released.

Vowles said, “While most of our membership will know the shamisen music from those Nintendo Wii commercials, the Yoshida Brothers are one of Japan’s best exports — internationally acclaimed and respected for their skills, and crossing genres to work with some of the hottest acts around. They bring a traditional Japanese sound, but infuse it with a very modern energy.” In 2008, they released Best of Yoshida Brothers and toured in U.S. and Canada. They followed that in 2009 with Prism, for which the brothers collaborated with notable talents, including an inspired cover of “The National Anthem” from Radiohead’s Kid A. As one of the artistic groups whose scope of activities go way beyond traditional Japanese music, the Yoshida Brothers continue to make not only Japan but also U.S., Europe, and Asia their stage. “We had an incredibly enthusiastic response to Eminence in 2007, which featured a string section playing anime and video game music,” Vowles said. “And last year, we had Kanon Wakeshima playing a cello to a packed house. We want to keep showcasing some great music and top-notch performances, and with this year our visual theme is all about music, so it seemed the right time to push the bar — and we know our members are willing to look beyond the J-Rock and Visual Kei spectrum.”

Official home page: http://www.domo.com/yoshidabrothers/
MySpace: http://www.myspace.com/yoshidabrothers1
Otakon 2010 will be held July 30 – August 1 at the Baltimore Convention Center in Baltimore, Maryland.

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